The film claims to lift the mask on how the mainstream media and Hollywood manipulate and control the masses by spreading propaganda throughout their content. The goal is to wake up the general public by attempting to shed light on how we all may have been lied to and potentially brainwashed by a 'hidden' enemy with an apparently sinister agenda.
This project was the result of almost two years of blood, sweat, and tears by a team of self proclaimed 'woke professionals'. It's been independently produced and funded and is available on many different platforms for free for anyone to watch. Donations keep our team fed and clothed.

At the far tip of South America, lies a magical realm that seems frozen in time. Known as 'the end of the world', this is Patagonia. Vast glaciers shaped it into an Eden like no other. Adaptable and resilient creatures evolved unique survival strategies to flourish across its remarkable habitats. From precipitous mountain citadels and icy desert plateaus windswept steppe uplands through remote, primal forests to a mosaic of glacial valleys. To thrive here is to be as extreme as the land itself.

The film explores the revolutionary gene-editing tech now giving humankind the freedom to redraw the blueprint of biological life itself. We investigate not only the tremendous potential the technology holds, whether in the fight to eliminate diseases or in transforming agriculture to adapt to unprecedented climate extremes, but also probe the inherent risks involved and the potential for widespread abuse, dangers that could take our future down a very dark, dystopian path.

The film captures de life of Valerie Taylor, a living legend and true pioneer in both underwater filmmaking and shark research. Valerie work has became the basis for much of what we know about sharks today.
Through remarkable underwater archival footage, along with interviews with Valerie herself, 'Playing with Sharks' follows this daring ocean explorer's trajectory from champion spear fisher to passionate shark protector.

A Tyrannosaurus and two Quetzalcoatlus fight over an Alamosaurus carcass. A shoal of Sphenodiscus are ambushed by a Globidens, intent on surplus killing them. At an evaporating lake, juvenile Pectinodon hunt flies while their father hunts Styginetta. Male Triceratops fight and display for the right to mate. A female Nanuqsaurus hunts Ornithomimus to feed herself and her offpsring.

Director Chris Bell turns his camera on the abuse of prescription drugs and, ultimately, himself. After witnessing friends and relatives face tragedy as they become addicted to prescription drugs, Bell sets out to explore the goals of pharmaceutical companies and doctors in this ever-growing market, and asks how they are any different from back-alley drug-pushers. His journey leads to experts on the nature of addiction in our culture, as well as to pharmaceutical whistleblowers that testify to the solely dollar-driven aims of pharmaceutical companies.