Spring has sprung at Diddly Squat Farm, and that heralds the release of cows and chickens from their winter captivity. Jeremy's restaurant plans are in tatters, but that's not the end of his dealings with the council, who are also sending letters raising issues about what's being sold in the shop itself. From here on in, Jeremy decides that he and all around him must operate in a world of loop-holes and just-within-the-law cunning wheezes. Pepper the prized heifer still isn't pregnant and her last chance saloon arrives in the shape of a bull called Break Heart Maestro.
A chat with Alan the builder provides a Eureka Moment: the restaurant idea is not dead after all! There's much excitement as building work begins and Jeremy meets a chef called Pip. There's less excitement when he has to take his first steer to the abattoir.

Clarkson is ready to submit his application for his farm restaurant; he must use gentle navigation and respect for bureaucracy in order to keep his interests afloat. This, of course, is not easy for Jeremy, so he must be careful. Faced with Council powers that be, Jeremy uses two of his greatest skills: diplomacy and respect for red tape.

His strong will and triumphant fight to win against all odds put Michael Schumacher at the centre of global attention. Michael Schumacher's journey has captured the imagination of millions, but there is a lot more than motor racing to the success of this very private man. However, it is not only his fighting spirit and striving for perfection that define Michael Schumacher as a person; his self-doubt and insecurities complete the picture of a sensitive and reflected man.
At the heart of Michael's story are his parents, his children and Corinna Schumacher, his childhood sweetheart and the love of his life. They are now ready to tell his story. (Click cc for subtitles)

Professor Brian Cox grapples with science's darker side, asking why, when science has done so much for us, it often gets such a bad press. Starting with the original Frankenstein - the grisly 19th century tale of George Foster's hanging and subsequent 'electrocution', Brian confronts the idea that science can go 'too far'. From the nuclear bomb to genetic modification, British science has always been at the cutting edge of discovery, but are British scientists feckless meddlers, or misunderstood visionaries whose gifts to humanity are corrupted by the unscrupulous?

In the second episode, Nathan develops a rehearsal for Angela, a woman considering motherhood. Nathan hires child actors to simulate adopting and caring for a baby and sets her up in a rented farmhouse in rural Oregon. Due to Oregon child protection laws, Nathan's team must covertly switch out the baby every four hours and replace it with a robot baby at night. Seeking a simulated husband, Angela dates Robbin, a numerology-obsessed man who wants to have sex with Angela despite her devout Christian beliefs against premarital sex. When Robbin quits the project due to the robot baby's incessant crying, Nathan inserts himself into the experiment as Angela's non-romantic co-parent.

For a predominately visual medium like cinema, its musical component plays a vital role as well, especially its score. In that essential musical accompaniment, the soul of the film is expressed whether it be sweepingly majestic fanfares or delicate lyrical pieces. This documentary explores the artistic role of this special musical discipline that completes the cinematic artistic creation process and the artists who have devoted their careers to this contribution.
We explore the form's history and examine the masters who defined it with their own distinctive artistic vision. In doing so, the various components of this delicate creative process are revealed as they create a musical compositional work that has inspired a popular appreciation of music in all its forms, which gave some old musical ways their own new lease on life.