It's 79 AD and Mount Vesuvius is about to blow. In 24 hours time, the people of Pompeii and Herculaneum are going to die. They will be part of the death toll of one of the worst natural disasters in history. Starting with a forensic examination of their remains, Bettany Hughes pieces together the final 24 hours of their lives in incredible detail.

Neuroscientist David Eagleman explores the human brain in an epic series that reveals the ultimate story of us, why we feel and think the things we do. This ambitious project blends science with innovative visual effects and compelling personal stories, and addresses some big questions. By understanding the human brain, we can come close to understanding humanity". In this episode, Dr. Eagleman takes viewers on an extraordinary journey that explores how the brain, locked in silence and darkness without direct access to the world, conjures up the rich and beautiful world we all take for granted.

Jessie Buckley narrates the extraordinary story of the first transatlantic communications cable. In 16 August 1858, a short message is telegraphed from County Kerry to Newfoundland, 3,000km away: ‘Europe and America are united by telegraph. Glory to God in the highest, on earth peace, good will towards men.’ The Morse code message is conducted along the new underwater transatlantic telegraph cable laid across the bed of the Atlantic Ocean. Sending the same message by ship would have taken at least ten days, but the transmission takes just hours and heralds the dawn of the modern communications age.
The quest is driven by visionaries and pioneers. Among them are Cyrus Field, a wealthy businessman who, despite his immense success, ends his life in poverty; Samuel Morse, inventor of the telegraph and Morse code; Isambard Kingdom Brunel, the British engineer who pushes boundaries and budgets; and Belfast physicist Lord Kelvin, who calculates how to achieve what had hitherto been deemed impossible. Together, their ingenuity and relentless pursuit helps realise one of the great scientific accomplishments of their age for which Valentia, on Ireland’s remote western coast, is ground zero.

Join us on an unforgettable voyage through one of the most desolate periods in human history as the rulers, conflicts, and cataclysmic societal breakdown of Early Middle Ages are brought to light. At its height in the second century A.D., the Roman Empire was the beacon of learning, trade, power and prosperity in the western world. But the once-powerful Rome--rotten to the core by the fifth century--lay open to barbarian warriors who came in wave after wave of invasion, slaughtering, stealing, and ultimately, settling. As chaos replaced culture, Europe was beset by famine, plague, persecutions, and a state of war that was so persistent it was only rarely interrupted by peace.
The documentary profiles those who battled to shape the future, from the warlords whose armies threatened to case the demise of European society, like Alaric, Charles the Hammer, and Clovis; to the men and women who valiantly tended the flames of justice, knowledge, and innovation including Charlemagne, St. Benedict, Empress Theodora, and other brave souls who fought for peace and enlightenment. It was in the shadows of this turbulent millennium that the seeds of modern civilization were sown.

Dr Nigel Spivey explores how art influences life by tracing the development of the image from cave paintings to our modern obsession with images. Dr. Spivey begins his investigation by travelling to the Cave of Altamira near the town of Santillana del Mar in Cantabria, Spain, where in 1879 a young girls exclamation of 'Papa, look, oxen!' to her father, local amateur archaeologist Marcelino Sanz de Sautuola, is explained to have meant that Maria had just become the first modern human to set eyes on the first gallery of prehistoric paintings ever to be discovered.

Years after he changed the landscape of filmmaking with The Exorcist, filmaker and writer William Friedkin moves from fiction to fact with this documentary. What began as a brief conversation between Friedkin and Father Gabrielle Amorth - the head Exorcist for the Diocese of Rome for over 30 years - as two professionals who knew of each other's work, soon transformed into an once-in-a-lifetime opportunity, as Amorth agreed Friedkin could film an exorcism ceremony. It would be the ninth exorcism for a painfully afflicted woman, and it would be filmed by Friedkin alone, with no other crew allowed, no light other than the natural light in the room and a small digital camera-and-mic unit that could capture the ritual and its revelations.
Combining the startling and singular footage from Cristina's exorcism with interviews from priests and psychologists, neurosurgeons and non-believers, Friedkin guides us on a journey into the twilight world between the boundaries of what we know and what we don't.