The Vision After the Sermon, also known as Jacob Wrestling with the Angel, is a painting full of symbolism and mystery. But what does Gauguin’s famous work have to do with a 17-year-old girl called Madeleine, with Victor Hugo’s Les Miserables, and with sumo wrestlers? Waldemar Januszczak reveals all as he investigates Gauguin’s epic religious painting about good and evil, temptation and desire.
Born in Groot-Zundert, The Netherlands, Van Gogh spent his early life as an art dealer, teacher and preacher in England, Holland and Belgium. His period as an artist began in 1881 when he chose to study art in Brussels, starting with watercolours and moving quickly on to oils. The French countryside was a major influence on his life and his early work was dominated by sombre, earthy colours depicting peasant workers, the most famous of which is The Potato Eaters, 1885. It was during Van Gogh's studies in Paris (1886-8) that he developed the individual style of brushwork and use of colour that made his name. In 1888 he moved to Arles where the Provençal landscape provided his best-known subject matter. However, it also marked the start of his mental crisis following an argument with his contemporary Paul Gauguin. Van Gogh was committed to a mental asylum in 1889 where he continued to paint, but he committed suicide in 1890.
Waldemar Januszczak reveals all as he investigates Gauguin’s epic religious painting about good and evil, temptation and desire.