When the rumoured whereabouts of Osama bin Laden are revealed, the CIA readies a team of seasoned U.S. Navy Seals for the mission of a lifetime. Despite inconclusive evidence that bin Laden is inside the compound, and ignoring the possible ramifications of an unannounced attack on Pakistani soil, the Pentagon orders the attack. The Seal Team bands together to complete their mission of justice in a riveting final showdown.

At a powderkeg moment in American policing, 'The Force' goes deep inside the embattled Oakland Police Department as it struggles to reform itself amid growing local controversy. Filmmaker Peter Nicks embedded with the department over the course of two years to follow its serial efforts to recast itself. The film focuses on the new chief brought in to effect reform at the very moment the Black Lives Matter movement emerges to demand police accountability and racial justice both in Oakland and across the nation.
'The Force' goes inside an embattled urban police department struggling to rebuild trust in one of America's most violent yet promising cities.

The film follows the story of Abu Zubaydah, the first high-value detainee subjected to the CIA's program, of Enhanced Interrogation Techniques (EITs), later identified as torture by those outside the agency. Having never been charged with a crime or allowed to challenge his detention, Zubaydah remains imprisoned at Guantánamo Bay in Kafkaesque limbo, in direct contravention of America’s own ideals of justice and due process.
Twenty years on, The Forever Prisoner reveals the origins of the clandestine operations that led the United States, in the 'War on Terror,' on a path of cruelty, deceit, and self-deception. With first-hand accounts from the two interrogators to question Abu Zubaydah, a shocking interview with the chief architect of EITs, and an interview with Daniel Jones, former Senate Investigator, the film uncovers the incompetent and deceptive practices that the U.S. government followed in order to expedite and legalize EITs in the aftermath of 9/11. As a result, torture as a government policy was authorized by the United States for the first time in history.

This series is about an attention-seeking criminal who ticked off the wrong people. His gruesome videos on internet drive a group of amateur online sleuths to launch a risky manhunt using internet tools that are available to everyone. This root out brings them into a dark underworld.
In the first episode, a shocking online video of a man killing two kittens brings together a widespread internet group of animal lovers out for justice. Their target, meanwhile, has worse horrors planned.

From a 2,400-year-old corpse in remarkable condition to how shrunken heads are made, these 15 ancient secrets will have you completely riveted. The Vesuvius eruption may have been a gradual process. It took a storm to lift the cover on this ancient Roman city. The people of Pompeii often resorted to vigilante justice. How the wealthy of Pompeii protected their valuables? Was this pre-Viking gathering a prelude to a massacre? The valuable commodity behind King Solomon's wealth. This valuable Viking grave is missing something important. Is this where humanity decided to settle down? This mysterious stone structure is older than Stonehenge. This 2,400 year old corpse is in remarkable condition. Here's exactly how shrunken heads are made. DNA analysis reveals troubling news about shrunken heads. This mass grave discovery could alter Roman history. Gladiator teeth reveal signs of infant malnourishment. Evidence suggests Stonehenge was an elite cemetery.

This series, acclaimed by the public and praised by critics, explores the story of Steven Avery, a man from Manitowoc County, Wisconsin, who served 18 years in prison for the wrongful conviction of sexual assault and attempted murder of Penny Beerntsen, before being fully exonerated in 2003 by DNA evidence. "Eighteen Years Lost" When Steven Avery is freed from a wrongful conviction, his search for justice raises questions about the authorities who put him behind bars.