The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.

Christopher Reeve was a world movie star, but in 1995 he suffered a near-fatal horseback riding accident that left him paralyzed from the neck down. He later became an activist for spinal cord injury treatment and the rights of people with disabilities.
This film offers a poignant exploration of Christopher Reeve's extraordinary life, weaving together intimate interviews with his children, Matthew, Alexandra, and Will. It chronicles his journey from a difficult childhood and a strained relationship with his father to his meteoric rise as Superman, a role that made him a global icon. The narrative transitions seamlessly between his career highs—starring in acclaimed films, enduring public missteps, and returning to the stage—and the personal challenges that shaped him, including his complex relationships, the birth of his children, and his eventual romance with Dana Morosini, the love of his life.
After the devastating horse-riding accident that left him paralyzed, Reeve's unwavering spirit redefined heroism. The film highlights his advocacy for spinal cord research, the creation of the Christopher Reeve Foundation, and the enduring impact he and Dana had on disability rights. Their story is one of resilience, love, and inspiration, with their children now carrying on their legacy. Through moments of triumph and heartbreak, this film celebrates a man who truly embodied the spirit of Superman, both on and off-screen.

The rainforest is home to more species of plants and animals than any other habitat on the planet. But for humans, life there is not as easy as it looks. Life in the trees requires great skill, ingenuity and sheer bravery. The Matis of Brazil carve 4-metre-long blow-pipes to hunt monkeys - in near total silence. Deep in the Congo forests, Tete defies death by scaling a giant tree using nothing more than a liana vine, and he must then negotiate an angry swarm of bees - all to collect honey for his family. Three children from Venezuela's Piaroa tribe venture deep into the jungle to hunt tarantulas - to toast for lunch! In West Papua the Korowai tribe show-off their engineering skills by building a high-rise home 35 metres up in the tree tops. Most memorable of all, in Brazil we join a unique monitoring flight in search an un-contacted tribe...