The films begins at the Maine Correctional Center where Jacinta, 26, and her mother Rosemary, 46, are incarcerated together, both recovering from drug addiction. As a child, Jacinta became entangled in her mother's world of drugs and crime and has followed her in and out of the system since she was a teenager. This time, as Jacinta is released from prison, she hopes to maintain her sobriety and reconnect with her own daughter, Caylynn, 10. Despite her desire to rebuild her life for her daughter, Jacinta continually struggles against the forces that first led to her addiction.
With unparalleled access and a gripping vérité approach, director Jessica Earnshaw paints a deeply intimate portrait of mothers and daughters and the effects of trauma over generations.

We love nature and all its glorious diversity. Some creatures we admire for their deadly beauty, others because they are cute, but for some it's hard to figure out exactly why we like them so much, perhaps it's a quirk. How do you decide nature's weirdest animal? Is it the sloth that hangs upside down and moves so slowly that moss grows in its fur? Is it a sea pen that sits rooted to the seabed in endless darkness and emitting its own glow? Could it be carnivorous snails that leave the ocean to digest dead creatures on the beach, finches that drink blood, or the tarantula that keeps a frog as it's pet. But with nature's endless variety, which is the weirdest? We can't decide. Can you?

Regarded as one of the greatest singers in the history of rock music, Freddie Mercury was known for his flamboyant stage persona and four-octave vocal range. Mercury defied the conventions of a rock frontman, with his highly theatrical style influencing the artistic direction of Queen.
This film tells the amazing story of Freddie’s life and career, from the early days of the band, their show-stopping performance at Live Aid and their dominance of music charts, to his final appearance on stage.

For the first time after seventeen years and their last appearance on the final episode of the TV series in 2004, Jennifer Aniston; Courteney Cox; Lisa Kudrow; Matt LeBlanc; Matthew Perry, and David Schwimmer, find themselves under the same roof for a reunion special. Hosted by James Corden, and produced by the show's co-creators, Marta Kauffman, David Crane, and Kevin Bright, the show's main cast feels at home in the original sets of Friends (1994), taking a trip down memory lane while sitting on Central Perk's couch.
Brimming with emotion, laughter, and tears of joy, 'Friends: The Reunion' sheds light on ambivalent endings, the casting process, and many more, as the main cast re-enacts older Friends episodes and meets with a plethora of celebrity guests, including Maggie Wheeler, the show's Janice Litman-Goralnik; Justin Bieber; Cindy Crawford; Cara Delevingne; Lady Gaga; David Beckham; Tom Selleck, and Nobel Peace Prize laureate, Malala Yousafzai.

A look at public shaming in modern day culture. This original documentary film examines social behavior by embedding with individuals from across the U.S. who have been publicly shamed or cyber-harassed – while exploring the bullies, the bystanders, the media, psychologists, politicians and experts in between.

Dylan Jones is in the driving seat for this authoritative four-part look back. No stone remains unturned, as he revisits the New Romantics, rap, modern dance music, hip-hop, indie jingle, synth-pop, house music and club culture. He makes the case that the 1980s was the most radical, innovative and creative decade in the history of pop because, unlike other decades, unleashed a myriad of new musical genres in just 10 years.
In the first part, Dylan Jones explores how in this decade the world-conquering genres of rap, hip-hop and modern dance music were launched, while guitar-driven indie flourished in a constellation of scenes spread out across the world. And a technological revolution was changing how music was made, filling the charts with a starburst of innovative records. Meanwhile, the launch of MTV turned pop into a visual medium, allowing artists as varied as U2 and Eurythmics to take charge of how they presented themselves. Featuring interviews with Nile Rodgers, Bananarama, Primal Scream's Bobby Gillespie, Mark Ronson, Trevor Horn and Soul II Soul's Jazzie B.