Hanging in the Barnes Foundation in Philadelphia, Seurat’s Les Poseuses is probably his least-known painting. It is also a picture brimming with codes and hidden meanings. It shows three nudes in the artist’s studio, but included in the background is Seurat’s famous masterpiece, A Sunday Afternoon on the Island of La Grande Jatte. Why is it there? What is it trying to say? Why two pictures at once? Waldemar Januszczak investigates.

Inside the heart of the atom, its nucleus houses energy. This hidden treasure was forged billions of years ago in distant stellar furnaces. The secret of starlight is nothing to fool with. It can bring a civilization to life and it can burn it to the ground.
Two atoms from different parts of the universe meet on a small planet. A deadly embrace between science and state altered the fate of the world and a gripping cautionary tale of others who grew used to living in the shadow of grave danger until it killed them all except one.

Waldemar Januszczak sets out to uncover the secret meanings hidden in four famous paintings by Van Gogh, Gauguin, Cezanne and Seurat. Everyone knows the pictures. They are among the most celebrated masterpieces of art. And yet, hidden inside them are codes and puzzles that no one has been able to decipher.
Van Gogh’s Self-Portrait with Bandaged Ear was painted soon after he cut off his ear with a razor. But how much do we really know about it? In a far-ranging investigation, Waldemar Januszczak delves into the clues hidden in the painting. The result is a tale of geishas, brothels, bullfights, love affairs, suffering and a fiery relationship with Gauguin. The work has a powerful secret message, if you know what to look for.

There is a battle playing out inside your body right now. It started billions of years ago and it is still being fought in every one of us every minute of every day. This is the story of a viral infection - the battle for the cell.
This film reveals the exquisite machinery of the human cell system from within the inner world of the cell itself - from the frenetic membrane surface that acts as a security system for everything passing in and out of the cell, the dynamic highways that transport cargo across the cell and the remarkable turbines that power the whole cellular world to the amazing nucleus housing DNA and the construction of thousands of different proteins all with unique tasks. The virus intends to commandeer this system to one selfish end: to make more viruses. And they will stop at nothing to achieve their goal. Exploring the very latest ideas about the evolution of life on earth and the bio-chemical processes at the heart of every one of us, and revealing a world smaller than it is possible to comprehend, in a story large enough to fill the biggest imaginations.

The Coronavirus disease 2019 (COVID-19) has spread globally since 2019, resulting in a pandemic. While the majority of cases result in mild symptoms, some progress to pneumonia and multi-organ failure. The deaths per number of diagnosed cases is estimated at between 1% and 5% but varies by age and other health conditions.
In this special on the coronavirus, we're with health staff working on the front-line of the Covid-19 crisis - as well as the scientists, economists and virology experts who can answer the question... Coronavirus: Are We Doing Enough?

Years after he changed the landscape of filmmaking with The Exorcist, filmaker and writer William Friedkin moves from fiction to fact with this documentary. What began as a brief conversation between Friedkin and Father Gabrielle Amorth - the head Exorcist for the Diocese of Rome for over 30 years - as two professionals who knew of each other's work, soon transformed into an once-in-a-lifetime opportunity, as Amorth agreed Friedkin could film an exorcism ceremony. It would be the ninth exorcism for a painfully afflicted woman, and it would be filmed by Friedkin alone, with no other crew allowed, no light other than the natural light in the room and a small digital camera-and-mic unit that could capture the ritual and its revelations.
Combining the startling and singular footage from Cristina's exorcism with interviews from priests and psychologists, neurosurgeons and non-believers, Friedkin guides us on a journey into the twilight world between the boundaries of what we know and what we don't.