The title of Ava DuVernay's extraordinary and galvanizing documentary refers to the 13th Amendment to the Constitution, which reads 'Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.' The progression from that second qualifying clause to the horrors of mass criminalization and the sprawling American prison industry is laid out by DuVernay with bracing lucidity. With a potent mixture of archival footage and testimony from a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis.

The human eye can see extraordinary detail, but the eye of a needle held at arm's length is pretty much at the limit of our vision. Anything smaller is simply invisible, at least to the naked eye. But what if we could see this hidden world all around us in greater detail and magnification than ever before? How different would our familiar surroundings then seem? Richard Hammond explores the astonishing miniature universe all around us, revealing that small is not only beautiful, it can also be very, very powerful. From seeing the microscopic changes to ice crystals that can trigger an avalanche to watching in horror the invisible aftermath of a sneeze on a commuter train and learning how the surface of an ordinary-looking plant hides an astounding secret that will make walking on the moon safer, Richard harnesses cutting-edge technologies to transport the viewer into a spectacular micro realm.

In the annals of Hollywood film since the artistic glories of the New Hollywood era, few have a better reputation and body of work in the field of suspense films exploring the contemporary darkness in American life than Brian De Palma. Here, the great film writer and director takes, us in his own words, through his professional life and a career that redefined film horror and suspense. All the while, he also confesses the challenges of working in Hollywood and the price even the great artists pay for being a part of it.

Through interviews, the film shares how cast and crew brought their own worst nightmares to life on screen and examines the impact the series and its myths have had on pop culture and the horror genre in general. The documentary also explores the rise and fall of Robert Shaye's New Line Cinema and its reputation as "The House That Freddy Built".

From director Amy Berg: 'Just a year and a half ago, after spending over four years on the same story for CNN and CBS before that, a paedophile priest named Oliver O'Grady decided he would participate in the film I wanted to make. It became Deliver Us From Evil -- the story from inside the sickest mind possible, the secrets that were meant to stay in the private files and crypts of the Roman Catholic Church, and the blind trust in those they perceived as God's messengers that left families with no faith and children with no innocence. After filming for a week and a half, the then defrocked priest mentioned he might need to move to Canada after this film comes public. Seeing the pain, corruption and missed opportunities to provide ministry to those in need was truly a tragic story to watch and the loss was more devastating than I ever imagined. It was so difficult to be so close to such a horror story that in the priest's words "never should have happened.".

A war story unlike any ever seen. A story of what happens when one ordinary man, Time magazine war correspondent Michael Ware, transplanted into the Middle East by the reverberations of 9/11, butts into history. Ware handpicked and given a shattering video tape by the most feared, most hated terrorists on the planet to announce his arrival of the world stage sets out on an epic journey into the deepest recesses of the conflict as he seeks answers. Answers that he thinks will lead him to the Truth. The invasion of Iraq has ended, and the Americans are celebrating victory. The year is 2003. Alone and in secret one man, Abu Musab al Zarqawi is planning the real war. Step- by-step he lays out his plan in a letter to Osama bin Laden: the suicide truck bombings; the bloody horrors of the civil war; the televised beheadings. He carries out his grand design to transform the invasion into one of the most brutal conflicts our time and a catastrophe for the planet...and he does it all on camera. He gives the tape to Michael Ware. The tape sets our correspondent off on an epic voyage as he seeks answers. As he seeks what he thinks will be the Truth.