Dive into the gripping world of organized crime with the enthralling documentary series focusing on John Gotti, a name synonymous with the Gambino crime family. In this second installment, viewers are transported into the shadowy corners of mob life, exploring the brutal enforcement of mafia rules and the dire consequences of betrayal. Highlighting a chilling assignment carried out in Florida, the documentary captures the ruthlessness embedded within the mafia's code, where personal lives intertwine dangerously with business, leading to violent outcomes.
The episode also provides a fascinating look into the pivotal legal battles that defined Gotti's reign as a mafia boss. Witness the intense courtroom drama involving Diane Giacalone, the tenacious assistant U.S. Attorney, who took on Gotti and his associates in a high-stakes trial. Despite her efforts, the complexities of prosecuting organized crime come to the forefront, showcasing the challenges faced by law enforcement in penetrating the secretive and loyal underworld. This documentary is a must-watch for those intrigued by true crime and the intricate dance of cunning and law that shapes the world of organized crime.

(Click CC for subtitles) Rumors fly about whether an up-and-coming driver will join Hamilton on team Mercedes, potentially leaving Valtteri Bottas without a seat. Seemingly permanently stuck in the crisis of a one-year contract running out, this time Bottas has Mercedes golden boy George Russell breathing down his neck. The young Brit desperately wants Bottas’ seat, and things come to a head when the two collide at Imola. Scandalous.
Bottas can’t resist the inevitable though, and after Russell puts the F1 on the front row at Spa, whilst the Finn can only manage eighth, it looks to be all over. Thus follows a scene of Russell being told he has the Mercedes seat by Wolff in a scene which looks so staged it would make even cringe.

Global superstar Jennifer Lopez reflects on her multifaceted career and the pressure of life in the spotlight in this intimate film. The documentary also unveils the characteristics that make the superstar the figure she is: from her performances on stages around the world, to her halftime show at the 2020 Super Bowl, one of the most controversial performances in the history of this show.
It also addresses how the international superstar, who has inspired people for decades with her perseverance, creative brilliance and cultural contributions, takes the reins of her career, using her voice for a greater purpose. Jennifer Lopez exposes her insecurities, the pressures the media has placed on her career and the effect paparazzi and tabloids have on the life of a star.

Three years in the making, Francis Whately’s film is a social and musical history of (probably) the world’s greatest music festival, as told by its principal curators, Michael and Emily Eavis, and many of the key artists who’ve appeared there between 1970 and 2019 – Billie Eilish, Thom Yorke, Florence Welch, Dua Lipa, The Levellers, Aswad, Orbital, Fatboy Slim, Linda Lewis, Noel Gallagher, Ed O’Brien, Chris Martin, Stormzy and more.
Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere.
This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.

A young mother's mysterious death and her son's subsequent kidnapping blow open a decades-long mystery about the woman's true identity and the murderous federal fugitive at the center of it all.
It's late at night in Oklahoma City, in April of 1990. Two or three guys are in a truck driving along the road and they see some kind of debris. And then they see off to the side, there's a body. It appears to be a young woman, a blonde-haired woman and they call an ambulance. She's rushed to the hospital, and her husband, Clarence, eventually shows up. He says her name is Tonya Hughes, that she's a stripper in Tulsa, and that they have a young son named Michael. And he's much older and he's just kind of this weird guy. So, the doctors, as they continue to examine her, they see old bruises and old injuries. There's something wrong with this picture. Ultimately, she passes away. The girls Tonya danced with want to find her family. So they call this woman and they tell her that her daughter died. And she says, 'What are you talking about? My daughter died 20 years ago, she was only 18 months old.' They realize that who they just buried was not Tonya Hughes, so now they're asking, 'What happened?'.

David Bowie was one of the most prolific and influential artists of our time. Working most notably in music and film, Bowie also explored various other art forms: dance, painting, sculpture, video collage, screenwriting, acting and live theatre. Bowie’s creative output and personal archives span over five million assets.
Moonage Daydream is the first film sanctioned by the Bowie estate. In 2017, the estate presented filmmaker Brett Morgen unfiltered access to Bowie’s archives, including all master recordings, to create an artful and life-affirming journey through David Bowie’s creative life. Over five years, Morgen constructed a genre-defying cinematic experience that grapples with spirituality, transience, isolation, creativity, and time to reveal the celebrated icon in his own voice.