Told by the activists and leaders who live and breathe this movement for justice, Whose Streets? is an unflinching look at the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri.
Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the national guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance. Whose Streets? is a powerful battle cry from a generation fighting, not for their civil rights, but for the right to live.

Superman is really the all-father of superheroes. He is the Odin from which all else springs forward. Without Superman, there's no Marvel or DC, no billion-dollar blockbusters. His logo is one of the three most recognizable symbols on the planet, and it stands shoulder to shoulder with the crucifix and the Jewish star. Superman became a worldwide phenomenon and was created by two working-class kids from Cleveland, Jerry Siegel and Joe Shuster.
Superman is for justice and it's kind of ironic that there was a great injustice done to his creators. Siegel and Shuster lost everything, and just like Superman, they demanded justice. They fought for years to receive proper credit and compensation.

At a powderkeg moment in American policing, 'The Force' goes deep inside the embattled Oakland Police Department as it struggles to reform itself amid growing local controversy. Filmmaker Peter Nicks embedded with the department over the course of two years to follow its serial efforts to recast itself. The film focuses on the new chief brought in to effect reform at the very moment the Black Lives Matter movement emerges to demand police accountability and racial justice both in Oakland and across the nation.
'The Force' goes inside an embattled urban police department struggling to rebuild trust in one of America's most violent yet promising cities.

Deep Throat comes forward with the orders of anonymity with the horror story of what happened in 1994 with the charges against Maskell. With the location of a secret grave of documents, Deep Throat’s story contradicts the story of the former state’s attorney Sharon A.H. May. The group begins to investigate Dr. Richter who worked with Maskell to groom girls and their families.
As the case prepares for a potential trial, the disappearance of Father Maskell causes problems as the prosecutors find themselves defending the idea of repressed memories. When things fall apart, victims still find themselves seeking justice. Abbie and Gemma seek the links between Jean and the killer... which leads to a man named Brother Bob.

Charles Franz talks about his relationship with Father Maskell as a young student and reveals what he knows about the Church’s involvement with Maskell. Cathy’s sister sees the necklace given by Edgar Davidson and questions if it has significance.
Potential DNA and evidence could exist for the crime, and the police might be forced to act. A push for victims’ rights in Maryland goes to a committee but getting justice might be more difficult... and time doesn’t stand still for anyone.

This series, acclaimed by the public and praised by critics, explores the story of Steven Avery, a man from Manitowoc County, Wisconsin, who served 18 years in prison for the wrongful conviction of sexual assault and attempted murder of Penny Beerntsen, before being fully exonerated in 2003 by DNA evidence. "Eighteen Years Lost" When Steven Avery is freed from a wrongful conviction, his search for justice raises questions about the authorities who put him behind bars.