Without words, Ron Fricke shows us the world, with an emphasis not on 'where,' but on 'what's there.' It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky. (Click CC for places description)

On a dusty highway between Australia's most isolated city and its largest gold pit lies Coolgardie - where the arrival every three months of a new pair of foreign backpackers to work the only bar in town is a keenly anticipated event. Fresh off the plane and lured by the promise of an authentic outback experience, Finnish travellers Lina and Steph find themselves en route to a dot on the map - to pour beers, replenish depleted travel funds, and live amongst the locals. But their working holiday quickly deteriorates into a baptism of fire.
Harangued by their new boss, relentlessly pursued by booze-addled patrons, and prey to the madness and malaise of an environment as claustrophobic as it is isolated - the girls soon realise that to meet expectations out here, they'll need to do more than just serve drinks.