The film focuses on the historic files of the Disclosure Project and how UFO secrecy has been ruthlessly enforced-and why. The best evidence for extra-terrestrial contact, dating back decades, is presented with direct top-secret witness testimony, documents and UFO footage, 80% of which has never been revealed anywhere else. The behind-the-scenes research and high-level meetings convened by Dr. Steven Greer will expose the degree of illegal, covert operations at the core of UFO secrecy.
From briefings with the CIA Director, top Pentagon Generals and Admirals, to the briefing of President Obama via senior advisor John Podesta, chairman of the Hillary Clinton Campaign, we take the viewer behind the veil of secrecy and into the corridors of real power where the UFO secrets reside. The viewer will learn that a silent coup d'état has occurred dating back to the 1950s and that the Congress, the President and other world leaders have been sidelined.

The wartime contributions of five prominent Hollywood film directors during World War II are profiled. The documentary focuses on five directors – John Ford, William Wyler, John Huston, Frank Capra, and George Stevens – whose war-related works are analysed by modern filmmakers, respectively Paul Greengrass, Steven Spielberg, Francis Ford Coppola, Guillermo del Toro, and Lawrence Kasdan. In the first episode, John Ford's The Battle of Midway was approved directly by President Franklin D. Roosevelt while Frank Capra fights to get Why We Fight made.

After the success of Florence and the Uffizi, a new film production by Sky 3D and the Vatican Television Centre, taking you on a journey through the four Papal Basilicas in Rome and their treasures: St. Peter’s (one of the 25 destinations most visited by travellers from all over the world), St. John in the Lateran, St. Mary Major and St. Paul Outside the Walls. Four majestic buildings – each with a precious papal altar, each a treasure trove of timeless works of art and a destination for millions of travellers and pilgrims over the centuries – play the leading role in a new film tour that has been recognized as a work of cultural interest by the film board of the Ministry of Culture, Heritage and Tourism.

Professor Jim Al-Khalili investigates the most accurate and yet perplexing scientific theory ever - quantum physics. At the beginning of the 20th century scientists were led into the hidden workings of matter, into the sub-atomic building blocks of the world around us. They discovered phenomena unlike any encountered before - a realm where things can be in many places at once, where chance and probability call the shots and where reality appears to only truly exist when we observe it. Albert Einstein hated the idea that nature, at its most fundamental level, is governed by chance. Jim reveals how, in the 1930s, Einstein thought he'd found a fatal flaw in quantum physics because it implies that sub-atomic particles can communicate faster than light in defiance of the theory of relativity. In the 1960s the scientist John Bell showed there was a way to test if Einstein was right and quantum mechanics was actually mistaken. Jim repeats this critical experiment - with shocking results.

It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker.

The true, stranger-than-fiction, adventure of eight visionaries who in 1991 spent two years quarantined inside of a self-engineered replica of Earth's ecosystem called Biosphere 2.
The experiment was a worldwide phenomenon, chronicling daily existence in the face of life threatening ecological disaster and a growing criticism that it was nothing more than a cult. The bizarre story is both a cautionary tale and a hopeful lesson of how a small group of dreamers can potentially re-imagine a new world.