Anthropology and Sociology

Follow a Finnish punk rock band whose members all are developmentally disabled, living with autism and Down syndrome. The film employs a cinéma vérité style, meaning it doesn't provide a commentary or explanatory captions to what is seen on screen. The film shows the band members using punk music as an outlet to their frustration with everyday things, such as living in a group home, not being served coffee because of their disability and so on. The film has been said to open a window to the world of the disabled

An immersive cinematic experience of nonspeaking autistic people across the world, The Reason I Jump is based on a book written by Naoki Higashida when he was just 13. The film follows a young Japanese boy on a journey through an epic landscape. As a maelstrom of thoughts, feelings, impulses, and memories affects his every action, he gradually discovers what his autism means to him, how his perception of the world differs from others’, and why he acts the way he does—the reason he jumps.

It all begins as a study on the psychology of prison life led by Stanford psychology professor Dr. Philip Zimbardo. 24 volunteers - 12 guards and 12 prisoners - have agreed to spend the next two weeks recreating life in a correctional facility. Normal people can become monsters, given the right situation, that's the standard narrative of the Stanford Prison Experiment, one of the most famous psychological experiments of all time.
But what if the cause of its participants' cruel behavior wasn't what we've always been told?

With optional Hebrew subtitles. Simon Schama explores the history of the Jewish experience from ancient times to the present day. This programme begins the tale 3,000 years ago, with the emergence of a tribal people in a contested land and their extraordinary book, the Hebrew Bible, a chronicle of their stormy relationship with a faceless, formless, jealous God. It was loyalty to this 'God of Words' that defined the distinct identity of the ancient Jews and preserved it despite all that history could throw their way". The story unfolds with a dazzling cast of historical characters: Sigmund Freud dying in exile in London; Victorian evangelicals and explorers following 'in the footsteps' of Moses; Jewish mercenaries living, prospering and intermarrying in the pagan land of Egypt; Messianic Jews dreaming of the Apocalypse; and a Jewish historian, Josephus, who witnessed first-hand the moment when the apocalypse finally came and the Romans destroyed the Jewish High Temple in Jerusalem.

(Click CC for Subtitles) Deep in the forests of Northern Italy resides the prized white Alba truffle. Desired by the wealthiest patrons in the world, it remains a pungent but rarified mystery. It cannot be cultivated or found: the only souls on Earth who know how to dig it up are a tiny circle of canines and their silver-haired human companions-Italian elders with walking sticks and devilish senses of humor-who only scour for the truffle at night so as not to leave any clues for others. Still, this small enclave of hunters induces a feverish buying market that spans the globe.
With unprecedented access to the elusive truffle hunters, filmmakers Michael Dweck and Gregory Kershaw follow this maddening cycle from the forest floor to the pristine restaurant plate. With a wily and absurdist flare, The Truffle Hunters captures a precarious ritual constantly threatened by greed and outside influences but still somehow protected by those clever, tight-lipped few who know how to unearth the magic within nature.

A Personal Journey Into The Uncharted Depths Of Nerd Culture, A Realm Full Of Dangers, Creatures And More Or Less Precarious Working Conditions.
Artist and life-long nerd Johannes Grenzfurthner is taking us on a personal road trip from the West Coast to the East Coast of the USA, to introduce us to places and people that shaped and inspired his art and politics. Traceroute wants to chase and question the ghosts of nerddom's past, present and future. An exhilarating tour de farce into the guts of trauma, obsession and cognitive capitalism.