David Attenborough and the world-renowned scientist Johan Rockström examine Earth's biodiversity collapse. The film explains how humanity has pushed our planet beyond the boundaries that have kept it stable since the dawn of life, but also that this crisis can still be averted, thinking and acting with one unified purpose to ensure that Earth forever remains healthy and resilient.

A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into Cameraperson, a tapestry of footage collected over the twenty-five-year career of documentary cinematographer Kirsten Johnson. Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality and crafted narrative.
A hybrid work that combines documentary, autobiography, and ethical inquiry, Cameraperson is both a moving glimpse into one filmmaker's personal journey and a thoughtful examination of what it means to train a camera on the world.

Are rising temperatures driving Earth's ecosystems past a point of no return? We have promising technologies that put solutions within our grasp. Scientists are exploring solutions: from geoengineering to sucking carbon out of the air to cloud brightening, as means to cool the planet. Cutting-edge solutions and high-risk measures. But would they work? And what are the risks of engineering Earth's climate?

Caravaggio's approach to painting was unconventional. He avoided the standard method of making copies of old sculptures and instead took the more direct approach of painting directly onto canvas without drawing first. He also used people from the street as his models. His dramatic painting was enhanced with intense and theatrical lighting. Caravaggio's fate was sealed when he killed a man in a duel in 1606. He fled to Naples where he attempted to paint his way out of trouble, he became a Knight, but was then imprisoned in Malta and then finally moved to Sicily. He was pardoned for murder in 1610, but died of a fever when attempting to return to Rome. For me the power of Caravaggio's art is the power of truth, not least the truth about ourselves. If we are ever to hope for redemption we have to start from the recognition that the Goliath competes with the David in all of us."

One of Cezanne’s best-known pictures, but it is also one of his most mysterious. Why did the so-called father of modern art paint two old men hunched over a game of cards? What is the picture trying to tell us?
By exploring Cezanne’s puzzling religious beliefs and his passion for Mary Magdalene, the patron saint of Provence, Waldemar Januszczak uncovers the surprising secrets of a haunting masterpiece.

At a time when the Earth’s surface is changing faster than ever in human history, watch cities grow, forest disappear and glaciers melt.
In the ever-growing grey of cities one man is feeding thousands of parakeets; in Sumatra a female orang-utan and her daughter face life in a forest under threat; while in Tanzania local people use satellites to replant a forest, securing the future for a family of chimpanzees. This is our home as we’ve never seen it before.