Ma Anand Sheela and several other followers recount their experiences of moving to the ranch and the hostility from the residents of the city of Antelope. With the help of architects, engineers, city planners and commune residents, Rajneeshees construct a town called Rajneeshpuram. The commune decides to become self-governing which would allow them to issue their own building permits and have separate law enforcement.
Locals describe their mistrust towards Bhagwan. The American press begins to affiliate Rajneeshpuram with the Jonestown Massacre and paints Bhagwan as an antichrist. The group '1000 Friends of Oregon' initiates a court case to have the buildings of Rajneeshpuram destroyed. In response, Sheela begins buying up available properties in Antelope.

Jeremy Clarkson decides to become a naturalist. 'In just 30 years, insect numbers have dropped by 25% and they're still falling. Without insects, all life on Earth ends. Everywhere where insects like to live is disappearing and I've decided to do something about that. My plan is to make my hedgerows, my valleys, my woods, and my streams more attractive to creepy crawlies. In essence, I am going to leave chunks of the farm completely alone. I'm going to put Mother Nature in the driving seat. It's a process called wilding.'

This three-day music festival was promoted to echo unity and counterculture idealism of the original 1969 concert but instead devolved into riots, looting and sexual assaults. The film documents the notorious music festival like an unravelling horror film to visceral effect, presenting a flashpoint in cultural nadir while suggesting that it was also a sign of troubles to come.

Austrian director Michael Glawogger travels to five countries to focus on some of the worst jobs imaginable: Ukrainian miners crawl into tiny cracks in old coal pits to scratch out a few bags of winter fuel; Indonesian workers trudge long distances carrying baskets with hundreds of pounds of sulfur chunks extracted from a steaming mountain; Pakistanis risk explosions and burial under tons of scrap iron as they dismantle huge carrier ships. The visuals are everything here. Despite the hardships depicted, many sequences have a dreamlike beauty. In addition, the director has a bone-dry sense of irony; during the Ukraine scenes, he frequently cuts away to a statue of Stakhanov, the "hero" lauded by the Soviets for his superhuman work habits. He also shows us an old German smelting works that's been converted into a theme park.

The inside story of how a small band of fanatical jihadi fighters became the world's richest terror army ever. Featuring the first major TV interview with an imprisoned senior leader of the self-proclamed Islamic State, Peter Taylor looks behind its medieval savagery and investigates how it became so fabulously rich and resilient.

This gripping docuseries delves into the shocking realities of toxic and dangerous past relationships. Featuring a mix of real-life testimonials, bodycam footage, and reenactments, it uncovers the darkest sides of betrayal, violence, and manipulation that go far beyond what most people imagine. Each of the episodes explores a different terrifying story, making every installment feel fresh and unpredictable. From cases of fraud and stalking to heart-wrenching custody battles and even murder, the series keeps you on edge as you witness the devastation left behind by these monstrous ex-partners.
The series taps into the universal fear of not truly knowing those closest to us. The fast-paced episodes bring in real police footage, victim accounts, and expert analysis, building a complete narrative of how these relationships took a horrifying turn. With all four episodes now available in a single film, ‘Worst Ex Ever’ is a must-watch for anyone drawn to true crime, though viewer discretion is advised due to the heavy and potentially triggering themes of abuse, manipulation, and violence.