In 1979, law enforcement is thrilled when the East Area Rapist attacks abruptly stop in Northern California. But in reality, the East Area Rapist had only moved 400 miles south, to commit a number of gruesome murders in the Santa Barbara area, where he would become known as the Original Night Stalker. Michelle McNamara ultimately came up with the name 'Golden State Killer' cause he terrorized up and down the state.
Michelle starts to write a true crime book that would transcend the genre because the way she humanized all of the victims.

Michelle McNamara reflects on the 1984 murder of her childhood neighbour Kathy Lombardo, which she credits with planting the seed for her lifelong fascination with unsolved crimes. Michelle really wanted this child and wished to get her murderer caught. The story of the victims has to be told.

The film captures the dynamics and drama of disaster response, giving the audience an insiders view of a truly remarkable force for good in a world that is increasingly in need of it. From the individual civilian at risk for their life adrift at sea to a massive natural disaster threatening thousands of lives, there is a mechanism and resources in place to help save lives. Oddly, the instrument of hostility, the military, is even more often the instrument for saving civilian lives on both a smaller and larger scale. Disaster Response commands are in place to deploy appropriate resources to trouble spots at a moment's notice, often requiring split second decisions with many lives at stake.

Julian Assange, the WikiLeaks founder, was arrested at Ecuador's embassy in London on April 11, 2019. He was cornered in a tiny building for seven years, with threatens to undermine the organization he leads and fracture the movement he inspired.
Filmed over six years, Risk is a character study capturing his confinement. Director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle.

Tim Whewell is in St Petersburg to meet the self-styled Russian nationalists and patriots who are volunteering to join the fighting in eastern Ukraine. He joins a group of volunteers as they undertake military training, and travels to Ukraine to see how the volunteer force is fighting on the ground.

Professor Brian Cox grapples with science's darker side, asking why, when science has done so much for us, it often gets such a bad press. Starting with the original Frankenstein - the grisly 19th century tale of George Foster's hanging and subsequent 'electrocution', Brian confronts the idea that science can go 'too far'. From the nuclear bomb to genetic modification, British science has always been at the cutting edge of discovery, but are British scientists feckless meddlers, or misunderstood visionaries whose gifts to humanity are corrupted by the unscrupulous?