Zachary Quinto embarks on a journey to understand how artificial intelligence may already be a threat to humanity. He visits Facebook headquarters where he learns about a failed AI experiment where two chat boxes created a language that only they could understand. Zach also gets a firsthand look at the world's latest technology, including life-like dolls programmed with advanced AI, robots that learn and communicate telepathically, highly intelligent drones of war, and Uber self-driving cars.

Technology is defining the future of warfare, providing capabilities that were previously unreachable. Every technological leap redraws the battle lines we once knew. The future of warfare lies beyond battlefields to the uncharted reaches of outer space, and even to the digital realm.
In the first episode, artificial intelligence and autonomy are no longer just the field of science fiction; they are a key part of the fourth industrial revolution, and successfully harnessing the power of this new technology will be integral to the success of future warfare.

Investigative journalist Jeremy Scahill travels to Afghanistan, Yemen, Somalia, and other countries where the United States has taken military action in the War on Terror. In Afghanistan, he investigates the United States military and government cover-up of the deaths of five civilians, including two pregnant women killed by US soldiers from the Joint Special Operations Command. After investigating the attack, Scahill travels to other sites of JSOC intervention, interviewing both proponents and opponents, and the survivors, of such raids,including U.S. Senator Ron Wyden. Scahill also investigates the assassinations of American citizens Anwar al-Awlaki and his son Abdulrahman al-Awlaki, meeting with their family at their home in Yemen. Scahill suggests that the War on Terror is in fact a "self-fulfilling prophecy" and causes the radicalization of Muslims. He also discusses the case of Yemeni investigative journalist Abdulelah Haider Shaye who was detained, tried and sentenced on terrorism-related charges after reporting on American drone strikes.

The film uses drones, hidden and handheld cameras to expose the dark underbelly of modern animal agriculture, questioning the morality and validity of humankind's dominion over the animal kingdom. While mainly focusing on animals used for food, it also explores other ways animals are exploited and abused by humans, including clothing, entertainment and research.
In words of its writer & director, Chris Delforce, 'Dominion to me is the idea of one group or entity exercising control, power or authority over another, under the belief that they have the right to do so. Often this belief seems to stem from the perception of self-superiority and that might equals right. Through this film I challenge both the notion that animals are inferior, and that we as humans have the right to use and treat them as we please for our own ends – and I briefly examine how this superiority complex has and continues to complement some of humanity's darkest ideologies, asking viewers to consider the similarities between racism, sexism and speciesism.'

To fly like a bird, Earthflight not only captured remarkable images of wild flocks but also relied on some extraordinary relationships between people and birds. Filmed over four years, in six continents and more than 40 countries, the Earthflight team used many extraordinary techniques. For some of the unique flying shots, members of the team became part of the flock. The birds followed wherever they went - even in a microlight over Edinburgh and London. In Africa, paragliders floated alongside wild vultures, while a model vulture carried a camera inside the flock. In South America, wild-living macaws, that were rescued as babies, still come back to visit their 'foster mother' as he travels along a jungle river. In Africa, a radio-controlled 'drone' silently infiltrates masses of pink flamingos without disturbing a feather, and microlights and helicopters capture the dramatic moment white storks arrive over Istanbul. In Africa a tame vulture carried a camera across the African bush and recreated the behaviour of his wild relatives. Similarly, in the USA, a flock of hand-reared snow geese followed the migration route of wild flocks and took in the sights and sounds of New York - managing to get lost in Brooklyn

What happens when a machine makes life-or-death decisions? This documentary explores the dangers of artificial intelligence in military application. To behold the fascinating military technology shown here is to witness the birth of a terrible beauty that could annihilate us all.
The documentary is not only chilling, it makes this dark side of artificial intelligence seem inevitable. It is also an essential chronicle to get a general idea of how artificial intelligence is being applied not only in warfare, but also in other areas of our society.