Tom Service plunges into the life and times of Mozart to try and rediscover the greatness and humanity of the living man in his moment. Mozart's prodigious output and untimely death have helped place him on a pedestal that can often blind us to the unique brilliance of his work in the context of his life and times. Service visits the key cities and rooms in which Mozart lived and worked, plays some of Mozart's original instruments and scores, and gradually uncovers the brilliance and originality of his work." There is the prodigious childhood when Mozart was feted as an infant phenomenon around Europe's most glittering courts, and his golden decade in Vienna in which masterpiece followed masterpiece - operas, symphonies, piano concertos, string quartets - as if this short, high-voiced man-child must have been taking dictation from some divine source, until his death at the age of just 35 in 1791. Even more than the music, Mozart's tragic demise sets the seal on his myth. The trajectory of Mozart's life sets the template for the romantic paradigm whose throes we are still in today, which requires our creative heroes to die young to prove that they were too good for this madding world, whether it be Wolfgang Amadeus or Jimi Hendrix. Service travels from London to Vienna and Salzberg, unpicking the living, breathing genius that was Mozart. With Sir John Eliot Gardiner, Nicola Benedetti, Paul Morley and others.

Dr. Hannah Fry takes us on a whistle-stop tour around the mathematics of success, to help us understand how to get more of what we want in our own lives. From the best way to bag a budget dinner or keep the kids quiet, to averting nuclear Armageddon and negotiating global climate change agreements.

This documentary explores Kate Bush's career and music, from January 1978's Wuthering Heights to her 2011 album 50 Words for Snow, through the testimony of some of her key collaborators and those she has inspired.
Contributors include the guitarist who discovered her (Pink Floyd's David Gilmour), the choreographer who taught her to dance (Lindsay Kemp) and the musician who she said 'opened her doors' (Peter Gabriel), as well as her engineer and ex-partner (Del Palmer) and several other collaborators (Elton John, Stephen Fry and Nigel Kennedy).
Also exploring their abiding fascination with Kate are fans (John Lydon, Sidi Larbi Cherkaoui) and musicians who have been influenced by her (St Vincent's Annie Clark, Natasha Khan of Bat for Lashes, Tori Amos, Outkast's Big Boi, Guy Garvey and Tricky), as well as writers and comedians who admire her (Jo Brand, Steve Coogan and Neil Gaiman).

From Patrick Kennedy's emigration in 1849 to the death of JFK Jr. in 1999, the films charts the family's rise from poor Irish immigrants to an all-powerful dynasty, exploring the lives, careers, personal tragedies and scandals that have given rise to the idea of a Kennedy curse.
Featuring interviews with family members, and including rare archive, photos and letters, 'The Kennedys: A Fatal Ambition' sets the events in historical context, examines the family's unique characteristics and asks what part they may have played in many of the misfortunes.

In the 1998 NBA finals, the defending NBA champion Chicago Bulls played against Utah Jazz in a repeat of the previous year's Final. With Utah leading 86-85 and few seconds remaining of the definitive match, John Stockton passed the ball to Karl Malone but Jordan stole the ball away and dribbled down the court to hit a 20-footer to end the finals.
Battered and exhausted, the Bulls conclude their 'Last Dance' with a sixth championship. Michael, Phil Jackson and others reflect on the end of the dynasty.

The wartime contributions of five prominent Hollywood film directors during World War II are profiled. The documentary focuses on five directors – John Ford, William Wyler, John Huston, Frank Capra, and George Stevens – whose war-related works are analysed by modern filmmakers, respectively Paul Greengrass, Steven Spielberg, Francis Ford Coppola, Guillermo del Toro, and Lawrence Kasdan. In the first episode, John Ford's The Battle of Midway was approved directly by President Franklin D. Roosevelt while Frank Capra fights to get Why We Fight made.