The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.

The Rescue chronicles the enthralling, against-all-odds story that transfixed the world in 2018: the daring rescue of twelve boys and their coach from deep inside a flooded cave in Northern Thailand.
Using a wealth of never-before-seen material and exclusive interviews, filmmakers E. Chai Vasarhelyi and Jimmy Chin keep viewers on the edge of their seats as they bring alive one of the most perilous and extraordinary rescues in modern times, shining a light on the high-risk world of cave diving, the astounding courage and compassion of the rescuers, and the shared humanity of the international community that united to save the boys.

What is Synthwave? An irresistible blend of nostalgia and music; of creative processes and cultural references; of re-appropriation and legitimate creation. Is a random revival or an emerging cultural phenomenon? Narrated by iconic director John Carpenter, the film is a journey back and forth in time, from to the roots of this scene to its impact on today's pop culture, from the universe of creating sounds to the Synthwave Music. (Click CC for subtitles)

The 8th episode reviews Giovanni Cassini's life. His observations of Saturn and its moons would have an enduring effect on the scientific world. Neil deGrasse Tyson also narrates the mysterious untold story of the scientist who figured out how to go the Moon while fighting for his life in a WWI trench. Aleksandr Shargei changed his name to Yuri Kondratyuk out of fear for his life and wrote a manuscript on rocket motion and space colonization. This letter would end up capturing the attention of an engineer working on the Apollo program, John Houbolt, and would made the Apollo Mission possible.
We will also know the saga of the twenty-year long odyssey of Cassini-Huygens spacecraft, a robotic explorer ordered to commit suicide on another world.

Every day our planet faces cataclysmic events that threaten our very existence. Whether from natural or man-made forces, rising from the earth or menacing from space, the world seems beset by more catastrophes than ever. Some believe the signs of the coming Apocalypse are all around us–as outlined in the bible’s most compelling book of prophecies: Revelation". And even the non-religious can’t ignore what appears to be a growing rate of globe-threatening disasters. Are we approaching a biblical “End of Times”? And if so–how will it happen? Will it come from an act of God? Or a colossal misstep of man? Get an uncomfortably close front row seat to some of the most likely apocalyptic scenarios our world faces today–and the history, both scientific and biblical, behind them.

It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker.