In this revealing documentary, Giancarlo Granda, former pool attendant at the Fontainebleau Hotel, shares the intimate details of his 7-year relationship with a charming older woman, Becki Falwell, and her husband, the Evangelical Trump stalwart Jerry Falwell Jr. Directed by Billy Corben, the film outlines Granda's entanglement with the Falwell's seemingly perfect lives and the overarching influence this affair had on a presidential election.
The life of Jerry Falwell — the late Moral Majority televangelist who for decades helped catalyze the rightward shift of American evangelicals before his death in 2007 — is a quintessentially American story. But it’s in the next generation that the Falwell narrative becomes at once soap opera and morality tale. The film covers the graceless fall of Jerry Falwell Jr., who after the death of his father was placed in the presidency of the family’s conservative organ Liberty University. There, he seemed to remain painfully in thrall to his appetites. We hear testimony about his alleged tendency to drink on the job and discomfiting, slurry interviews between him and sympathetic media — but most crucially, we receive the testimony of Giancarlo Granda.
Granda was a pool attendant at a Miami hotel when he met Falwell and his wife, Becki, in 2012. Today, he alleges that he was persuaded to have sex with Becki while Falwell watched, and that the pair engaged in an ongoing campaign of communication with him that could be described as coercive. His energies were consumed with managing their tempers and occasionally threatening behavior, and he blames the swirl of scandal around them for derailing his professional future. Plainspoken and only occasionally visibly emotional, Granda is his own best advocate as he describes a couple who, he says, craved his body and were willing to discard the rest of him.

Diarmaid MacCulloch's own life story makes him a symbol of a distinctive feature about Western Christianity - scepticism, a tendency to doubt which has transformed both Western culture and Christianity. In the final programme in the series, he asks where that change came from. He challenges the simplistic notion that faith in Christianity has steadily ebbed away before the relentless advance of science, reason and progress, and shows instead how the tide of faith perversely flows back in. Despite the attacks of Newton, Voltaire, the French Revolutionaries and Darwin, Christianity has shown a remarkable resilience. The greatest damage to Christianity was actually inflicted to its moral credibility by the two great wars of the 20th century and by its entanglement with Fascism and Nazism. And yet it is during crisis that the Church has rediscovered deep and enduring truths about itself, which may even be a clue to its future.

In the concluding episode of the series, Jim encounters ever larger cosmic structures to reveal the latest breakthroughs in our understanding of the universe. For example, Jim comes face to face with our galactic home, the Milky Way, a monstrous structure sculpted by the gravitational forces of dark matter. Jim finds out from pioneering researcher Adrian Fabian about the black hole at its centre, whose strange behaviour includes emitting the lowest note that can be heard in the cosmos.
At an even greater scale, Jim encounters huge structures such as the Laniakea Supercluster, of which the Milky Way is only a tiny part. Then there’s the 'Giant Arc', a collection of galaxies that account for more than three per cent of the observable universe. Jim learns from its discoverer, British PhD student Alexia Lopez, that this gargantuan structure is forcing scientists to reassess their theory of how the universe evolves and may overturn some of the most fundamental principles in physics.

A deconstruction of the Church of Scientology's claims through a combination of presenting a condensed history of Scientology and its founder, L. Ron Hubbard, how celebrities interact with the church, the stories of a number of ex-members, and the abuse and exploitation the ex-members described seeing and experiencing". The Church responded vehemently to the film, complaining to film critics about their reviews and denouncing the filmmakers and their interviewees. Directed by Alex Gibney, it is based on Lawrence Wright's book Going Clear: Scientology, Hollywood and the Prison of Belief (2013). Produced by HBO, the film premiered at the 2015 Sundance Film Festival

In this mind-bending series, Professor Jim Al-Khalili explores the vast range of size in the universe, from tiny atoms to gigantic, interconnected galaxies.
In the first episode, Jim will enter the world of objects that are too tiny to glimpse with the naked eye. Starting with the smallest insects, he moves on to encounter living cells with amazing superpowers and confronts some of humanity's deadliest enemies in the form of viruses. Going smaller still, he encounters wondrous new nanomaterials such as graphene, discovered by physicist Andre Geim. These are revolutionising engineering, medicine, computing, electronics and environmental science. Finally, Jim comes face to face with the fundamental building blocks of the world around us – atoms – and reveals why understanding the science of the 'small' is crucial to the future of humanity.

Nathan and Angela accelerate their parenting rehearsal with three-year-old, then six-year-old actors portraying their fake son, 'Adam'. Angela refuses to participate in Halloween due to her belief in Satanic conspiracies.
Nathan balances parenting duties with a rehearsal for Patrick, a man who wants to confront his brother over their late grandfather's will, which bans Patrick from inheriting money if he is dating a 'gold digger'. The rehearsal occurs in a replica Raising Cane's restaurant in a warehouse next to the relocated Alligator Lounge. To introduce real emotions to the rehearsal, Nathan stages a scenario to convince Patrick that he could inherit buried gold from the grandfather of Isaac, the actor who plays Patrick's brother. After Patrick has an emotional breakthrough during a rehearsal, he leaves the production and never returns. Nathan narrates that he is envious that self-deception is easy for some people as he ponders his fake family.