This four-part British television series outlines aspects of the history of mathematics. Written and presented by University of Oxford professor Marcus du Sautoy, it is a co-production between the Open University and the BBC. In the first episode, Marcus du Sautoy in Egypt uncovers use of a decimal system based on ten fingers of the hand and discovers that the way we tell the time is based on the Babylonian Base 60 number system. In Greece, he looks at the contributions of some of the giants of mathematics including Plato, Archimedes and Pythagoras, who is credited with beginning the transformation of mathematics from a counting tool into the analytical subject of today. A controversial figure, Pythagoras’ teachings were considered suspect and his followers seen as social outcasts and a little be strange and not in the norm. There is a legend going around that one of his followers, Hippasus, was drowned when he announced his discovery of irrational numbers. As well as his work on the properties of right angled triangles, Pythagoras developed another important theory after observing musical instruments. He discovered that the intervals between harmonious musical notes are always in whole number intervals.

In the fourth episode, Professor Marcus du Sautoy concludes his investigation into the history of mathematics with a look at some of the great unsolved problems that confronted mathematicians in the 20th century. After exploring Georg Cantor's work on infinity and Henri Poincare's work on chaos theory, he sees how mathematics was itself thrown into chaos by the discoveries of Kurt Godel and Paul Cohen, before completing his journey by considering some unsolved problems of maths today, including the Riemann Hypothesis.

A compelling, dramatic and stylish cinematic journey into snowboarding's unique history and the wider cultural forces that shaped it. Featuring interviews and archival footage with Todd Richards, Gigi Rüf, Terje Haakonsen, Jake Burton, Tom Sims, Stale Sandbech and Craig Kelly.

With optional Hebrew subtitles. Simon Schama explores the history of the Jewish experience from ancient times to the present day. This programme begins the tale 3,000 years ago, with the emergence of a tribal people in a contested land and their extraordinary book, the Hebrew Bible, a chronicle of their stormy relationship with a faceless, formless, jealous God. It was loyalty to this 'God of Words' that defined the distinct identity of the ancient Jews and preserved it despite all that history could throw their way". The story unfolds with a dazzling cast of historical characters: Sigmund Freud dying in exile in London; Victorian evangelicals and explorers following 'in the footsteps' of Moses; Jewish mercenaries living, prospering and intermarrying in the pagan land of Egypt; Messianic Jews dreaming of the Apocalypse; and a Jewish historian, Josephus, who witnessed first-hand the moment when the apocalypse finally came and the Romans destroyed the Jewish High Temple in Jerusalem.

The enemy gains ground when the massive Tet Offensive catches the Americans by surprise. At Khe Sanh and Pleiku, U.S. troops are under siege. Americans mount a counteroffensive but the shock of the assault ignites anti-war fervour at home.

Arguably the most powerful painting about war ever achieved. It portrays the slaughter of civilians after Napoleonic troops entered Madrid in 1808. The programme reveals the historical truths behind the painting and shows exactly how Goya achieved this masterpiece of protest. he painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era.
According to the art historian Kenneth Clark, The Third of May 1808 is 'the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention'. Discover how Goya used drawings by authentic witnesses to depict a real firing squad.