Deep Throat comes forward with the orders of anonymity with the horror story of what happened in 1994 with the charges against Maskell. With the location of a secret grave of documents, Deep Throat’s story contradicts the story of the former state’s attorney Sharon A.H. May. The group begins to investigate Dr. Richter who worked with Maskell to groom girls and their families.
As the case prepares for a potential trial, the disappearance of Father Maskell causes problems as the prosecutors find themselves defending the idea of repressed memories. When things fall apart, victims still find themselves seeking justice. Abbie and Gemma seek the links between Jean and the killer... which leads to a man named Brother Bob.

Jessie Buckley narrates the extraordinary story of the first transatlantic communications cable. In 16 August 1858, a short message is telegraphed from County Kerry to Newfoundland, 3,000km away: ‘Europe and America are united by telegraph. Glory to God in the highest, on earth peace, good will towards men.’ The Morse code message is conducted along the new underwater transatlantic telegraph cable laid across the bed of the Atlantic Ocean. Sending the same message by ship would have taken at least ten days, but the transmission takes just hours and heralds the dawn of the modern communications age.
The quest is driven by visionaries and pioneers. Among them are Cyrus Field, a wealthy businessman who, despite his immense success, ends his life in poverty; Samuel Morse, inventor of the telegraph and Morse code; Isambard Kingdom Brunel, the British engineer who pushes boundaries and budgets; and Belfast physicist Lord Kelvin, who calculates how to achieve what had hitherto been deemed impossible. Together, their ingenuity and relentless pursuit helps realise one of the great scientific accomplishments of their age for which Valentia, on Ireland’s remote western coast, is ground zero.

The documentary tells the story of the extremely rare discovery of evidence of Roman crucifixion, unearthed in a routine archaeological dig in the Cambridgeshire Fens. When human remains were found alongside a variety of Roman artifacts, none of the team at Albion Archaeology saw anything out of the ordinary. But once the bones were washed back at HQ, something highly unusual was uncovered: a nail through the heel bone of one of the individuals. Could this be evidence of a Roman crucifixion? When they did some research, they found that only one confirmed example had ever been unearthed before, discovered in the 1960s in Jerusalem. To find out more, they called in renowned osteoarchaeologist Dr Corinne Duhig to investigate. With exclusive access to Corinne’s investigation and the remains themselves, The Cambridgeshire Crucifixion sets out to find out who this person was, how they lived and why they were put to death in this notoriously gruesome way. We perform a CT scan, DNA and isotope analysis of the remains, and use them to create a cutting-edge virtual autopsy of the skeleton, conducted by Corinne and one of her former students, biologist Prof Ben Garrod.
A supporting cast of expert contributors help to analyse the artefacts found at the Fenstanton site and reveal a compelling picture of life in Roman Britain in the 1st century CE. The film culminates in a world first: a full forensic facial reconstruction of a victim of Roman crucifixion, conducted by world-leading expert Joe Mullins.

In the last episode, Iain discovers the remarkable impact of just one plant: grass. On the savannah of South Africa he sees how grass unleashed a firestorm to fight its greatest enemy, the forests. He shows how cutting your finger on a blade of grass shows us how it transformed life in the oceans. In Senegal, he meets the cleverest chimps in the world. And, in the ruins of the oldest temple on Earth, he tells the extraordinary story of how grass triggered human civilisation.

This acclaimed docudrama is a chronicled look at the fall of the Romanov dynasty in Russia. When social upheaval sweeps Russia in the early 20th century, Czar Nicholas II resists change, sparking a revolution and ending his reign.
In the first episode, Czar Nicholas II takes the Russian throne in 1894 and rejects modern ideas to embrace a pure autocracy. Tragedy marks his coronation day.

Humans are so clever they’ve built their own habitat, designed to keep wild nature out. Yet as we discover the urban environment is totally dependant on the natural world. Over the three years of filming for Human Planet, the teams have spent time with over seventy different communities in countries across the planet. Despite seeing many different ways of living, there are some aspects of family life that remain the same whether you live in a tree house in West Papua, or a brick house in Bolton. These similarities became very clear when the urban team went to film on a rubbish dump in Kenya. Here on the Kibarani dump on the outskirts of Mombasa, Ali, Ashe and their family live and survive amongst the rubbish, and even here, just like anywhere on the planet, everything stops for a nice cup of tea!