In 1995, during the making of his TV series Triumph of the Nerds about the birth of the PC, Bob Cringely did a memorable hour-long interview with Steve Jobs. It was 10 years since Jobs had left Apple following a bruising struggle with John Sculley, the CEO he had brought into the company. At the time of the interview Jobs was running NeXT, the niche computer company he had founded after leaving Apple. During the interview, Jobs was at his charismatic best - witty, outspoken, visionary. In the end, only a part of the interview was used in the series and the rest was thought lost. But recently a VHS copy was found in the series director's garage. Now, cleaned up with modern technology, and put into context by Cringely.

Well-known fans celebrate Stevie Wonder and his music by selecting some of his best-loved songs. Contributors include actor Martin Freeman, singers Alexander O'Neal, James Morrison, Beverley Knight and Corinne Bailey Rae, Gillian Gilbert and Stephen Morris, DJs Ana Matronic, Trevor Nelson and Norman Jay, journalist Sian Pattenden and presenter Emma Dabiri.
Stevie Wonder is one of the dominant figures in American music, a multi-faceted genius whose music has permeated popular culture, and he is not short of celebrity fans. His musical achievements are lauded in this anthology of his greatest hits.

Using cutting-edge research, a dedicated team of archaeologists has compiled the evidence to fill in a 400-year gap in man's knowledge of the bluestones of Stonehenge. By combining innovative 3D scanning techniques, traditional field archaeology and novel laboratory analysis, the team has discovered where the stones were quarried and where they first stood.
Professor Alice Roberts shows how the team made its discoveries and joins Professor Mike Parker Pearson to piece together the final parts of the puzzle, solving one of the toughest challenges ever faced by archaeologists.

Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.

It sounds like a Hollywood blockbuster: a deadly asteroid is on a collision course with Earth. But in reality, it's only a matter of time before a giant space rock threatens to wipe out civilization. An asteroid took out the dinosaurs sixty-five million years ago. Are we next? This episode analyzes the threat and explores the many ways--from a nuclear bomb to ingenious new technology--that experts are proposing to stop Armageddon

Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving.
Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families.