Featuring interviews with former employees, fellow musicians, family members and journalists, and supported by original and exclusive never-seen-before footage, this star-studded rockumentary offers a fascinating insight into the creation and recording of one of the most ground-breaking and influential albums in pop history. A documentation of the influences that went on to help create the seminal album Sgt. Pepper's Lonely Hearts Club Band.

The fourth episode of the series takes viewers on a fascinating journey through the unique and diverse landscapes of Australia, a continent that drifted apart during the time of the dinosaurs. Isolated for millions of years, the weird and wonderful animals marooned here are like nowhere else on Earth. From the vast deserts to lush rainforests, this episode showcases the incredible wildlife that calls this continent home. The film highlights the fascinating behaviors and adaptations of Australia's native animals, including the elusive dingo, kangaroos, and the iconic Tasmanian devil. It also sheds light on the challenges these creatures face in a rapidly changing world, emphasizing the impact of human activities on their survival and underscoring the importance of preserving these environments and the incredible creatures that inhabit them.
The stunning cinematography and intimate footage capture the beauty and struggles of Australia's wildlife, making this documentary a visual treat and a must-watch for anyone interested in wildlife and conservation.

Ivan Orkin, the brash, white, Jewish guy from New York who made his name as one of the best ramen makers on the planet has an unorthodox story. That means no tweezer food, plenty of swear words, no slow shots of the chef communing with nature. He was a problem child, fell in love with Japan, fell in love with cooking, suffered personal tragedy, and found his reason for being and his ultimate success in Tokyo.

As tuition rates spiral beyond reach and student loan debt passes $1 trillion (more than credit card debt), IVORY TOWER asks: Is college worth the cost? From the halls of Harvard, to public colleges in financial crisis, to Silicon Valley, filmmaker Andrew Rossi assembles an urgent portrait of a great American institution at the breaking point. Through interviews profiled at Arizona State, Cooper Union, and Sebastian Thrun's Udacity-among several others-IVORY TOWER reveals how colleges in the United States, long regarded as leaders in higher education, came to embrace a business model that often promotes expansion over quality learning. Along the way we also find unique programs, from Stanford to the free desert school Deep Springs to the historically black all women's college Spelman, where the potential for life-changing college experiences endure.

The films begins at the Maine Correctional Center where Jacinta, 26, and her mother Rosemary, 46, are incarcerated together, both recovering from drug addiction. As a child, Jacinta became entangled in her mother's world of drugs and crime and has followed her in and out of the system since she was a teenager. This time, as Jacinta is released from prison, she hopes to maintain her sobriety and reconnect with her own daughter, Caylynn, 10. Despite her desire to rebuild her life for her daughter, Jacinta continually struggles against the forces that first led to her addiction.
With unparalleled access and a gripping vérité approach, director Jessica Earnshaw paints a deeply intimate portrait of mothers and daughters and the effects of trauma over generations.

Painting became an important means of communication for David since his face was slashed during a sword fight and his speech became impeded by a benign tumour that developed from the wound, leading him to stammer. He was interested in painting in a new classical style that departed from the frivolity of the Rococo period and reflected the moral and austere climate before the French Revolution. David became closely aligned with the republican government and his work was increasingly used as propaganda with the Death of Marat proving his most controversial work.