A new age of space exploration is dawning. But surprisingly, some of the boldest efforts at putting humans into space are now those of private companies started by a handful of maverick billionaire businessmen. In this film, Brian Cox gains exclusive access behind the scenes at Virgin Galactic, Blue Origin and Spaceport America, exploring what is really happening in privately financed space flight right now.

Marc-André Leclerc climbs alone, far from the limelight. On remote alpine faces, the free-spirited 23-year-old Canadian makes some of the boldest solo ascents in history. Yet, he draws scant attention. With no cameras, no rope, and no margin for error, Leclerc's approach is the essence of solo adventure.
Nomadic and publicity shy, he doesn't own a phone or car, and is reluctant to let a film crew in on his pure vision of climbing. Filmmaker Peter Mortimer sets out to make a film about Leclerc but struggles to keep up with his elusive subject. Then, Leclerc embarks on a historic adventure in Patagonia that will redefine what is possible in solo climbing.

The fourth episode starts off with the two riding through Santa Cruz, Argentina. The plan is to cross over into Chile and then going up into the Andes. Ewan and Charley head through Argentina’s red rock landscape while a member of their team copes with altitude sickness. The duo are well and truly underway and the first signs of all are well is how well the Harleys hold up in challenging conditions. The roads alternate between unforgiving and pleasant and these e-bikes push through effortlessly. As they ride through Chilean Andes, the audience is shown a picturesque view of the beauty of the countryside, an experience which Boorman calls 'magical.'

Academy Award-winning director Alex Gibney (Taxi to the Dark Side) masterfully explores the fall of the disgraced cycling champion following the 2009 Tour de France, making use of his extraordinary access to attain rare interviews with former teammates, alleged doping mastermind Dr. Michele Ferrari, and Armstrong himself. What was Lance Armstrong thinking? For years, after seizing international fame as the cancer survivor who won seven Tour de France titles, he fiercely denied accusations that he used performance-enhancing drugs. He used his power to aggressively litigate journalists and publicly humiliate former friends who claimed otherwise. His deceit finally cracked in January 2013, when he admitted guilt to Oprah Winfrey in a television interview that critics decried for only scratching the surface. Academy Award-winning director Alex Gibney approaches Armstrong with unique and extraordinary access. In 2009, Gibney was commissioned to make a film about Armstrong's return to the Tour de France, four years after the racing champion had declared retirement. That race would later stir up devastating evidence in the case against Armstrong. But Gibney came away from the experience unable to reconcile the discrepancy between doping allegations and Armstrong's emphatic denials. Then, post-Oprah, Gibney went back to Armstrong for new interviews to extract a more detailed account of his double life. In The Armstrong Lie, Gibney masterfully explores the complexities of the case, interweaving the dramatic action of the 2009 Tour de France, when Armstrong found himself unexpectedly competing against his own teammate Alberto Contador. Gibney attains rare interviews with Armstrong's former teammates and alleged doping mastermind Dr. Michele Ferrari. The film also raises troubling questions about the process of doping regulation. Recently, when asked to give advice to documentary filmmakers, Gibney responded with a motto exemplified by this film: "Embrace contradictions."

Snowboarding as you've never seen it, unless you are one of the handful of daredevils willing to risk life and limb for the glory revealed here. Jaw dropping footage with a pulse-pounding soundtrack, shot in some of the most rugged, remote and beautiful snow country on the planet. "The Art of Flight" gives iconic snowboarder Travis Rice and friends the opportunity to redefine what is possible in the mountains. Experience the highs, as new tricks are landed and new zones opened, alongside the lows, where avalanches, accidents, and wrong-turns strike. Directed by Curt Morgan ad converted by Venture 3D, one of Hollywood's leading 3D conversion companies, the feature combines meaningful storytelling and sport progressing action with some of the most captivating 3D visuals to date. The film was shot using state of the art equipment and technologies, much of which was custom designed for this project. The film transcends snowboarding with an inspirational message about adventure and exploration.

How did the universe come to be? Thanks to a series of discoveries, our most powerful space missions have unravelled 13.8 billion years of cosmic evolution and revealed the story of our universe from its birth all the way to the arrival of our nascent civilization. Our guide on this odyssey back to the dawn of time is light. Telescopes are time machines - by looking out into the distant universe, they open a window to the past. One telescope more than any other has helped us journey through the history of the universe: NASA’s Hubble Space Telescope. Remarkably, Hubble has even found one of the first galaxies ever to exist in the universe, which was born some 13.4 billion years ago. It's a discovery that hints at the beginnings of our own Milky Way. Vivid CGI brings this ancient galaxy to life, allowing us to witness for ourselves the first dawn. It was the beginning of a relationship between stars and planets that would, on a faraway world, lead to the origin of life - and ultimately to us.
Hubble’s incredible discoveries have allowed scientists to piece together much of our cosmic story, but it cannot take us back to the most important moment in history: the Big Bang. For decades, the moment the universe began was the subject of pure speculation, but by combining astronomy and cosmology, scientists have finally found a way to put their theories to the test and study the momentous events that took place during the Big Bang. They can do this because the European Space Agency’s Planck space telescope has seen the afterglow of the Big Bang itself – something we call the Cosmic Microwave Background. The unparalleled detail Planck gave us has helped confirm something remarkable: the Big Bang may not be the beginning. There was a time before the dawn – a place beyond anything we can comprehend. Professor Brian Cox transports us back to the fraction of a second before the Big Bang, when the seeds of our universe were planted.