It is fairly extraordinary that this film exists. The level of access attained by Tim Hetherington and Sebastian Junger over their 15-month period embedded with the Second Platoon, Battle Company, 173rd Airborne Brigade allows for an incredibly unvarnished account -- including footage of deaths both civilian and military. It's perhaps the most intimate and unflinching examination yet of the processes of modern warfare -- and an exhilarating, heartrending, profoundly moving film in its own right.

‘Retrograde’ offers a deeply intimate account of the end of Americas's longest war and humanizes the individuals most impacted through both US and Afghan perspectives. With a character-driven, cinema-verite approach, the film functions as an up-close record of a turning point in American and Afghan history while also providing an emotional reminder of the human costs of war.
‘Retrograde’ focuses in the relationship between American Green Berets and the Afghan officers they trained.

With optional Hebrew subtitles. Simon Schama's history of the Jewish experience ends with an examination of how the Holocaust and the creation of Israel have fundamentally changed what it means to be Jewish. Mixing personal recollection with epic history, Simon tells the story of the remarkable personalities and unprecedented events which turned the Zionist dream of creating a modern state of Israel into reality - and the consequences for the world. With contributions from writer David Grossman, photographer Micha Bar-Am, kibbutz founder Freddie Kahan, West Bank settler Zvi Cooper and Palestinian villager Yacoub Odeh. This film explores the tension between the high ideals and dire necessities that led to the creation of a Jewish homeland and the realities of conflict, dispossession and occupation that have followed in its wake.

Rasputin is gone, but Nicholas II continues his catastrophic policies in war and at home. When Nicholas goes back to military headquarters, he is in fact leaving control of government, exactly when Russia needed to be held together by its Czar. The war by this time is deeply unpopular. It's not only unpopular, it's also arguably the engine that's causing enormous economic crisis, that's causing general unrest. Deprivation pushes the population from unrest to revolution.

Andrew Graham-Dixon explores how Russia changed from a feudal nation of aristocratic excess to a hotbed of revolution at the beginning of the 20th century and how art moved from being a servant of the state to an agent of its destruction. From monuments that celebrate the absolutism of the tsars to the epic Russian landscape as inspiration; from the design and construction of gold and glittering palaces to the minutiae of diamond-encrusted Faberge eggs; and eventually to the stark and radical paintings of the avant-garde, the journey through Russian art history is one of extraordinary beauty and surprise.

This episode examines the end of and the period immediately after World War II. It looks at Stalin's efforts to seize control of Poland and Eastern Europe, Democratic part bosses efforts to drop Henry Wallace from the 1944 presidential ticket, and British efforts to maintain their colonial holdings after the war.