From the age of 15, Whitney Houston began to enter the world of music. In 1983, she signed a contract with Clive David from Arista Records. From then on, she began a life of excess, luxury, fame, drugs, and many scandals.
The documentary pays special attention to her relationships with her mother, father, husband and daughter, as well as her former best friend Robyn Crawford. It also addresses the singer's history of drug use, including overdose allegations in the 1990s, her early days as a gospel singer, her discovery by Arista Records boss Clive Davis, and key moments such as the releases of her debut album in 1985 and the film The Bodyguard in 1992.
The film tells the story of the life and death of Whitney Houston, who marked a before and after in the history of music. It has been made with archival footage of the artist, from her concerts, interviews and home videos.

Professor Brian Cox seeks to understand the nature of time and its role in creating both the universe and ourselves. From an extraordinary calendar built into the landscape of Peru to the beaches of Costa Rica, Brian explores the cycles of time which define our experience of life on Earth. But even the most epic cycles of life can't begin to compare to the vast expanse of cosmic time. Ultimately, Brian discovers that time is not characterised by repetition but by irreversible change. The vast universe is subject to these same laws of change. As we look out to the cosmos, we can see the story of its evolution unfold, from the death of the first stars to the birth of the youngest. This journey from birth to death will ultimately lead to the destruction not just of our planet, but also the entire universe, and with it the end of time itself. Yet without this inevitable destruction, the universe would be without what is perhaps the greatest wonder of all; the brief moment in time in which life can exist.

Austrian director Michael Glawogger travels to five countries to focus on some of the worst jobs imaginable: Ukrainian miners crawl into tiny cracks in old coal pits to scratch out a few bags of winter fuel; Indonesian workers trudge long distances carrying baskets with hundreds of pounds of sulfur chunks extracted from a steaming mountain; Pakistanis risk explosions and burial under tons of scrap iron as they dismantle huge carrier ships. The visuals are everything here. Despite the hardships depicted, many sequences have a dreamlike beauty. In addition, the director has a bone-dry sense of irony; during the Ukraine scenes, he frequently cuts away to a statue of Stakhanov, the "hero" lauded by the Soviets for his superhuman work habits. He also shows us an old German smelting works that's been converted into a theme park.