Documentary AreaSimply the best Documentaries

A new age of space exploration is dawning. But surprisingly, some of the boldest efforts at putting humans into space are now those of private companies started by a handful of maverick billionaire businessmen. In this film, Brian Cox gains exclusive access behind the scenes at Virgin Galactic, Blue Origin and Spaceport America, exploring what is really happening in privately financed space flight right now.

Eisenhower and the CIA played a great part in the shaping of the world in the 1950's; the development of the Cold war and the nerve-wrecking battle against communism, driven on by the U.S.

Dylan Jones is in the driving seat for this authoritative four-part look back. No stone remains unturned, as he revisits the New Romantics, rap, modern dance music, hip-hop, indie jingle, synth-pop, house music and club culture. He makes the case that the 1980s was the most radical, innovative and creative decade in the history of pop because, unlike other decades, unleashed a myriad of new musical genres in just 10 years.
In the first part, Dylan Jones explores how in this decade the world-conquering genres of rap, hip-hop and modern dance music were launched, while guitar-driven indie flourished in a constellation of scenes spread out across the world. And a technological revolution was changing how music was made, filling the charts with a starburst of innovative records. Meanwhile, the launch of MTV turned pop into a visual medium, allowing artists as varied as U2 and Eurythmics to take charge of how they presented themselves. Featuring interviews with Nile Rodgers, Bananarama, Primal Scream's Bobby Gillespie, Mark Ronson, Trevor Horn and Soul II Soul's Jazzie B.

Explore how Artificial Intelligence will change your job as new research shows how much of what you do could be done by robots. From truckers to lawyers & doctors, we bring affected workers face to face with AI experts. How can we prepare for the coming changes to the world economy? We are on the precipice of another technological transformation. The last industrial revolution turned society upside down. It ultimately delivered greater prosperity and many more jobs, as well as the eight hour day and weekends. But the transition was at times shocking and violent.
The question is, can we do better this time? We don't realize that the future is not inevitable. The future is the result of the decisions we make today. These technologies are morally neutral, they can be used for good or for bad. There's immense good things they can do, they can eliminate many disease, they can help eliminate poverty, they can tackle climate change. Equally, the technology can be used for lots of bad. It can be used to increase inequality,it can be used to transform warfare. It can be used to make our lives much worse. We get to make those choices.

This documentary series explores the Three Mile Island Accident that occurred in Pennsylvania on March 28, 1979, suffering a partial meltdown of the reactor core on the same day. It also reveals how this accident unfolded in real time, its impact on the community and the personal account of the chief engineer and whistleblower, Richard Parks, who had the courage to speak out and avert a catastrophe for the East Coast.
This first episode explains how in 1979, a breakdown at the power plant causes confusion and the release of radiation. Fear spreads, as do suspicions that the authorities are hiding the truth.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.