Ripped from international headlines, The Hacker Wars takes you to the front lines of the high-stakes battle over the fate of the Internet, freedom and privacy". Get ready to be shuttled between story lines at lightning speed mirroring the disjointed lives of the protagonists and life on the Internet. The Hacker Wars- a film about the targeting of (h)ac(k)tivists and journalists by the US government. Hacktivists are either terrorists or freedom fighters depending on ones perspective on who should control information. Meet weev, infamous hacker; Barrett Brown, journalist and propagandist for the hacktivist collective, Anonymous; and Jeremy Hammond, aka Anarchaos, number one on the FBI's cyber-criminal list. The fourth character is Sabu, the uber-hacker turned FBI informant who ran the FBI's cyber unit for 9 months and is responsible for many arrests. He is the shadowy protagonist in a high-stakes game of espionage and betrayal in the age of the Internet. Barrett Brown, American journalist, is facing 105 years in prison for publicizing information revealed through Jeremy Hammond's epic hacks. Hammond himself has just begun a 10-year prison term. Andrew Auernheimer, known by his hacker handle weev embarrasses large corporations. He was sentenced to 41 months for hacking AT&T, but his conviction was just overturned. He vows to continue doing what landed him in prison in the first place. These hacktivists are the rock stars of the Internetmodern-day folk heroes. Glenn Greenwald (Snowdon Leaks), Pulitzer Prize-winning journalist and others explain why these anti-heroes exposing the security surveillance state are essential to a functioning democracy.

This episode covers the nature of how life may have developed on Earth and the possibility of life on other planets. Tyson begins by explaining how the human development of writing systems enabled the transfer of information through generations, describing how Princess Enheduanna ca. 2280 BCE would be one of the first to sign her name to her works, and how Gilgamesh collected stories, including that of Utnapishtim documenting a great flood comparable to the story of Noah's Ark. Tyson explains how DNA similarly records information to propagate life, and postulates theories of how DNA originated on Earth, including evolution from a shallow tide pool, or from the ejecta of meteor collisions from other planets. In the latter case, Tyson explains how comparing the composition of the Nakhla meteorite in 1911 to results collected by the Viking program demonstrated that material from Mars could transit to Earth, and the ability of some microbes to survive the harsh conditions of space. With the motions of solar systems through the galaxy over billions of years, life could conceivably propagate from planet to planet in the same manner. Tyson then moves on to consider if life on other planets could exist. He explains how Project Diana performed in the 1960s showed that radio waves are able to travel in space, and that all of humanity's broadcast signals continue to radiate into space from our planet. Tyson notes that projects have since looked for similar signals potentially emanating from other solar systems. Tyson then explains that the development and lifespan of extraterrestrial civilizations must be considered for such detection to be realized. He notes that civilizations can be wiped out by cosmic events like supernovae, natural disasters such as the Toba disaster, or even self-destruct through war or other means, making probability estimates difficult. Tyson describes how elliptical galaxies, in which some of the oldest red dwarf stars exist, would offer the best chance of finding established civilizations. Tyson concludes that human intelligence properly applied should allow our species to avoid such disasters and enable us to migrate beyond the Earth before the Sun's eventual transformation into a red giant.

The story of how Instagram became the dominant force it is today, told by former staff and insiders and through powerful testimony from users who have been negatively impacted. An eye-opening documentary delving into the shadows of social media harm.
More than half of the world now uses social media, and as our global usage increases and 87% of 12-15 year olds have an account, concerns continue to be raised about how we can stay safe online, and the role social media companies play in that. The film explores how Instagram affects its users and the role big tech companies play in exacerbating issues around body image and self-harm for younger users.

China's last empire, the Qing, lasted from 1644 to 1912. It began in violence and war as the Manchus swept down from the north, but invaders became emperors, with three generations of one family ruling the country. Among them, Michael Wood argues, was China's greatest emperor - Kangxi. Under the Qing, China doubled in size to include Xinjiang in the far west, as well as Mongolia and Tibet, creating the essential shape of China today. The new dynasty tolerated a diversity of cultures and religions, including Islam. In Kaifeng, Michael visits a women's mosque with a female imam, a delightful scene that ends with laughter and selfies! The Qing also undertook huge cultural enterprises. At a traditional printing house where the wood blocks are hand-carved, we see how the Complete Tang Poems were reproduced - all 48,000 of them. We travel through the wintry countryside to a remote village where a hardy audience watch open-air opera in the snow and visit a painter's studio, and 'storytelling' houses in Yangzhou. In the 18th century, China was arguably the greatest economy in the world, and we get a fabulous sense of the rich culture that came with prosperity. But then came the clash with the British, in the first Opium War, when a British expedition destroyed the Qing navy and extracted territory and trading rights. We leave with a glimpse of the future. 'Every dynasty has risen and declined,' says Michael, 'and has needed new life to regenerate, and this time the catalyst was the British.' Among the ports China ceded was an almost uninhabited island, Hong Kong, one of today's greatest financial centres, and Shanghai, a small town then but now one of the greatest cities in world.

The second programme deals with the mechanics of flight. Getting into the air is by far the most exhausting of a bird's activities, and Sir Attenborough observes shearwaters in Japan that have taken to climbing trees to give them a good jumping-off point. The albatross is so large that it can only launch itself after a run-up to create a flow of air over its wings. A combination of aerodynamics and upward air currents (or thermals), together with the act of flapping or gliding is what keeps a bird aloft. Landing requires less energy but a greater degree of skill, particularly for a big bird, such as a swan. Weight is kept to a minimum by having a beak made of keratin instead of bone, a light frame, and a coat of feathers, which is maintained fastidiously. The peregrine falcon holds the record for being fastest in the air, diving at speeds of over 300 km/h. Conversely, the barn owl owes its predatory success to flying slowly, while the kestrel spots its quarry by hovering. However, the true specialists in this regard are the hummingbirds, whose wings beat at the rate of 25 times a second. The habits of migratory birds are explored. After stocking up with food during the brief summer of the north, such species will set off on huge journeys southwards. Some, such as snow geese, travel continuously, using both the stars and the sun for navigation. They are contrasted with hawks and vultures, which glide overland on warm air, and therefore have to stop overnight.

A series of unfortunate events plague the cast and crew during the making of The Omen, raising concerns that the film might be cursed by the devil himself.