In the third episode of the series, the intricate social dynamics of the Ngogo chimpanzee community come to a head. Decades of growth and dominance have made this the largest known chimp group, but internal rivalries lead to a significant schism, with a faction of males breaking away to form their own group, the Westerners. Once comrades, these chimps now face each other as deadly enemies. The tension escalates with the mysterious death of Pork Pie, leaving the central chimps in a state of heightened alert and mourning, while leadership struggles and territorial disputes intensify within both factions.
As the Westerners grow bolder, driven by the likes of Richmond and the ambitious Rollins, they encroach further into central territory, setting the stage for an inevitable clash. Amidst the power plays, we witness the personal struggles of individuals like Jackson, the embattled alpha, and Bartoli, who must protect her son Herzog from the looming threat.
This episode masterfully captures the raw emotion and brutal reality of chimpanzee warfare, leaving viewers on edge as alliances are tested and the fight for dominance reaches a fever pitch.

A young common chimpanzee nicknamed Oscar is part of a close-knit tribe of chimpanzees. They occupy a forest territory which is rich in native fruits, nuts, and figs, among other things. The chimps hunt small tree monkeys, and they also eat termites collected with primitive tools made from sticks. They also use rocks as tools to crack nuts. Oscar is tended by his mother, nicknamed Isha, and from her he begins learning many things about how to survive in the jungle. In the chaos of an attempted raid by a rival gang of chimpanzees led by 'Scar', Isha is injured and separated from the group and her son. This twist of fate leaves Oscar to fend for himself with a little help from an unexpected ally.

From fears about work and privacy to a rivalry between the U.S. and China, the series explores the promise and perils of AI. It traces a new industrial revolution that will reshape and disrupt our lives, our jobs and our world, and allow the emergence of the surveillance society.
Today, China leads the world in e-commerce and is a society that bypassed credit cards. Now shops in stores are without cashiers, where the currency is facial recognition. No country has ever moved that fast. And in a short two-and-a-half years, China's A.I. implementation really went from minimal amount to probably about 17 or 18 unicorns, that is, billion-dollar companies. The progress was powered by a new generation of ambitious young techs pouring out of Chinese universities, competing with each other for new ideas, and financed by a new cadre of Chinese venture capitalists.

America says eight out of ten industrial espionage cases now involve China. Governments around the world are uncovering secret operations to expand China's influence - the work of a little-known branch of the Chinese Communist Party called the United Front Work Department. President Xi has called it his 'magic weapon'.
Jane Corbin investigates this powerful but shadowy organisation. Has influence become interference as China bids to become the most powerful nation on earth?

As the world enters a phase of aggressive competition over untapped ocean floor resources, countries are scrambling to stake their claims. The vast economic potential on offer has made the seabed the ultimate frontier in a new Age of Exploration. China's research vessels in particular have been active in waters right across the globe. Through our exhaustive analysis of huge volumes of Chinese ship tracking data, from sand dredgers to survey vessels, we piece together a puzzle that reveals a new hidden power struggle over increasingly critical submarine resources.

Salvador Dali's strange crucifixion is often called the greatest religious painting of the 20th century. Yet its artist was a notorious blasphemer some of whose work had outraged the Catholic Church. The Christ of St John of the Cross by Salvador Dali is the first of two extraordinary crucifixions painted by Dali in the early 1950s. The painting is based on a 'cosmic dream' Dali is said to have had, in which the nucleus of the atom was a figure of Christ himself.
The painting offers a surrealist view of the crucifixion of Christ, and is based on a drawing by the 16th century Spanish friar Saint John of the Cross. But Dali's vision was somewhat unique, using an unusual artistic perspective in which Christ is seen from above. His Christ of St. John of The Cross was inspired by a weird mix of Spanish mysticism and nuclear physics, with his Christ being modelled by a Hollywood stuntman. It's also a masterpiece of painting technique.