After months of hard work Clarkson's farm arrives at a make or break moment; harvest time. 'It's always stunning on the farm, actually. Whatever the day, there's always something that's absolutely beautiful. The thing is, the show's now over, which is sad. But thank you very much for being so patient with me.'

Mixing comedy with a thorough investigation of psychedelics, the film explores the pros, cons, science, history, future, pop cultural impact, and cosmic possibilities of hallucinogens. The documentary features comedic tripping stories from A-list actors, comedians, and musicians. Star-studded reenactments and trippy animations bring their surreal hallucinations to life.
'Have a Good Trip' tackles the big questions: Can psychedelics have a powerful role in treating depression, addiction, and helping us confront our own mortality? Are we all made of the same stuff? Is love really all we need? Can trees talk?

Hawking is the extraordinary story of the planet's most famous living scientist, told for the first time in his own words and by those closest to him. Made with unique access to Hawking's private life, this is an intimate and moving journey into Stephen's world, both past and present. An inspirational portrait of an iconic figure, Hawking relates his incredible personal journey from boyhood under-achiever, to PhD genius, to being diagnosed with Motor Neuron Disease and given just two years to live. Despite the constant threat of death, Hawking manages to make many remarkable scientific discoveries and rises to fame and super-stardom. Hawking - a remarkable man, and a remarkable movie.

Laurie Anderson embarks on a cinematic journey through love, death and language. Cantering on Anderson's beloved rat terrier Lolabelle, who died in 2011, the film is a personal essay that weaves together childhood memories, video diaries, philosophical musings on data collection, surveillance culture and the Buddhist conception of the afterlife, and heartfelt tributes to the artists, writers, musicians and thinkers who inspire her. Fusing her own witty, inquisitive narration with original violin compositions, hand-drawn animation, 8mm home movies and artwork culled from exhibitions past and present, Anderson creates a hypnotic, collage-like visual language out of the raw materials of her life and art, examining how stories are constructed and told - and how we use them to make sense of our lives.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which celebrated its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
The film encompasses the worlds of design, advertising, psychology, and communication, and invites us to take a second look at the thousands of words we see every day.
Interviewees in Helvetica include some of the most illustrious and innovative names in the design world, including Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf, Neville Brody, Stefan Sagmeister, Michael Bierut, David Carson, Paula Scher, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset, Michael C. Place, Norm, Alfred Hoffmann, Mike Parker, Bruno Steinert, Otmar Hoefer, Leslie Savan, Rick Poynor, and Lars Müller.

Eric C. Conn became a local celebrity and maybe even became heroic in the eyes of the people they were helping. He put up billboards all over the county and his parties were legendary. Conn took monthly vacations to exotic locations as a sex tourist and his 16 marriages were the talk of the town.
In the third episode, a new U.S. attorney begins working the case. Things take a dark turn when several of Conn's former clients share their experiences. Wanted by the FBI, chased by the authorities, the story soon spirals into a twisty-turny thriller. That’s no coincidence either, given Conn mentions numerous times that he likens himself to James Bond. James Bond with a dash of Robin Hood.