In this second episode, a woman recounts her journey to becoming a mouthpiece for white nationalist hate speech, work that culminates in high-profile violence and murder. Samantha confesses how she became a spokesperson on the Internet for the hate speech of one of the many white nationalist groups that swarm the United States. And this fact ended in racist violence and death during an event. 'I had to start to realize what I was supporting. Was I the victim or was I also a villain?' says Samantha, looking into the camera. Hand in hand with xenophobia, digital true crime seems to have no respite, and so it will be shown how those supremacists work with good Wi-Fi.
Jennifer Griffith and Sarah Carver were working for the Disability Administration and noticed all this corruption firsthand. They wrote to the Social Security Administration, wrote to lawyers, wrote to the president of the United States. But nothing ever came of their complaints until the Wall Street Journal story broke. Then, with national attention brought to Conn, the Senate, the FBI and the SSA (who’d been enabling the fraud the whole time) finally stepped in. Series finale. Eric leads the government on a wild goose chase. The fallout from the fraud takes its toll on a struggling Kentucky community.
When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death and Olympic Gold-exposing the biggest scandal in sports history.
How did the Chinese government turn pandemic cover ups in Wuhan into a triumph for the Communist party? Award-winning filmmaker Nanfu Wang recounts the experiences of people on the ground in the earliest days of the novel coronavirus and the way two countries dealt with its initial spread, from the first days of the outbreak in Wuhan to its rampage across the United States. The film explores the early confusion and parallel campaigns by authorities to try to contain the virus as well as shape the public narrative through misinformation, resulting in a devastating impact on citizens of both countries. With emotional first-hand accounts from medical professionals, patients, and grieving family members, and startling, on-the-ground footage from both Wuhan and the U.S., In The Same Breath is a revelatory illustration of the devastating toll that resulted from official missteps at containment of the infection and the widespread phenomenon of social media misinformation, while also highlighting the strength and resilience of the people who risked everything to communicate the truth.
There is a tendency to deny German culture the equal reverence of Italy or Spain, and this enlightening new series provides a wonderful opportunity to explore a great, yet often neglected, artistic tradition whose influence has been just as profound. Andrew Graham-Dixon concludes his exploration of German art by investigating the dark and difficult times of the 20th century. Dominating the landscape is the figure of Adolf Hitler, failed artist, would-be architect and obsessed with the aesthetics of his 1,000-year Reich". In a series of extraordinary building projects and exhibitions, Hitler waged a propaganda war against every form of modern art as a prelude to unleashing total war on the whole of Europe. After the war the shadow of the Third Reich persisted, Germany remained divided and traumatised. How would artists deal with a past that everybody wanted to forget? Journeying through the work of Otto Dix and George Grosz and the age of the Bauhaus to the post-war painters Georg Baselitz, Hilla Becher and the conceptual artist Joseph Beuys is a long and strange journey, but the signs that art has a place at the heart of the new reunited Germany are clearly visible.
We're going to see if forcing your facial expression can change the way you feel. If you remove the ability to make facial expressions with botox, will it affect how the people perceive emotions in them? How do facial expressions affect emotion, and how does emotion affect facial expressions? Michael Stevens finds out when he explores the face.
'I had to start to realize what I was supporting. Was I the victim or was I also a villain?' says Samantha, looking into the camera. Hand in hand with xenophobia, digital true crime seems to have no respite, and so it will be shown how those supremacists work with good Wi-Fi.