The film captures the dynamics and drama of disaster response, giving the audience an insiders view of a truly remarkable force for good in a world that is increasingly in need of it. From the individual civilian at risk for their life adrift at sea to a massive natural disaster threatening thousands of lives, there is a mechanism and resources in place to help save lives. Oddly, the instrument of hostility, the military, is even more often the instrument for saving civilian lives on both a smaller and larger scale. Disaster Response commands are in place to deploy appropriate resources to trouble spots at a moment's notice, often requiring split second decisions with many lives at stake.

The true, stranger-than-fiction, adventure of eight visionaries who in 1991 spent two years quarantined inside of a self-engineered replica of Earth's ecosystem called Biosphere 2.
The experiment was a worldwide phenomenon, chronicling daily existence in the face of life threatening ecological disaster and a growing criticism that it was nothing more than a cult. The bizarre story is both a cautionary tale and a hopeful lesson of how a small group of dreamers can potentially re-imagine a new world.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.

It's 79 AD and Mount Vesuvius is about to blow. In 24 hours time, the people of Pompeii and Herculaneum are going to die. They will be part of the death toll of one of the worst natural disasters in history. Starting with a forensic examination of their remains, Bettany Hughes pieces together the final 24 hours of their lives in incredible detail.

'Crude Awakening'- To combat the worst environmental disaster in American history, BP and the Coast Guard dumped nearly 2 million gallons of a chemical dispersant called Corexit into the Gulf. But instead of helping clean up the spill, Corexit made things worse. Shane Smith heads to Louisiana to report on the lasting effects of the BP oil spill. 'The Enemy of My Enemy' - Yemen, the fractured state in the Arabian peninsula, is at the top of the worry list for President Obama's national security team, and the rise of Al Qaeda there is only half the reason why. The real trouble is a current threat posed by the little-known Houthi rebel movement in the north of the country - a grassroots army, allegedly funded by Iran, that has never granted access to any other Western film crew before. Ben Anderson goes deep into Houthi-controlled territory to learn about the group that's fighting, and beating, Al Qaeda in the east, Saudi Arabia in the north, and Yemen's central government in the south.

Annalisa Piras and former editor of The Economist Bill Emmott, which explores the crisis facing Europe. Through case studies of citizens in different countries, the film explores a range of factors that have led to the present crisis, economic and identity challenges across Europe. High-level experts analyse how and why things are going so wrong. The film includes fictional scenes, set in a post-EU future, which feature archaeologist Charles Granda (played by Angus Deayton) travelling on a flight through a menacing storm, explaining to a child passenger what the EU was. Sombre, thought-provoking and witty, the film frames Europe through the eyes of those who have most at stake - the Europeans themselves.