Told by the activists and leaders who live and breathe this movement for justice, Whose Streets? is an unflinching look at the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri. Grief, long-standing racial t ...ensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the national guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance. Whose Streets? is a powerful battle cry from a generation fighting, not for their civil rights, but for the right to live.
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Ma Anand Sheela and several other followers recount their experiences of moving to the ranch and the hostility from the residents of the city of Antelope. With the help of architects, engineers, city planners and commune residents, Rajneeshees construct a town called Rajneeshpuram. The commune decides to become self-governing which would allo ...w them to issue their own building permits and have separate law enforcement. Locals describe their mistrust towards Bhagwan. The American press begins to affiliate Rajneeshpuram with the Jonestown Massacre and paints Bhagwan as an antichrist. The group '1000 Friends of Oregon' initiates a court case to have the buildings of Rajneeshpuram destroyed. In response, Sheela begins buying up available properties in Antelope.
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The film centers on our ongoing mission to explore and come to terms with the Arctic, and the compelling stories of our many forays into this captivating place will be interwoven to create a unifying message about the state of the Arctic today. Underlying all these tales is the crucial role that ice plays in the northern environment and the c ...hanges that are quickly overtaking the people and animals who have adapted to this land of ice and snow.
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For the first time, you will see dramatic moments of WWII that were captured in 3D with stereographs and then shuttered away in secret archives and attics, until now. This stunning collection of colour 3D photos includes Allied reconnaissance photos, a trove of images that documents the rise and fall of the Third Reich, and photos secretly ta ...ken by a civilian in occupied France. WWII IN 3D also features an actual 3D motion picture film shot by the Nazis in 1943 and creates a fully immersive, three dimensional portrait of history's largest and bloodiest conflict.
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A feature length documentary work which presents a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical 'life ground' attributes of human and so ...cial survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a 'Resource-Based Economy'.
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A documentary thriller about the world of cyberwar. For the first time, the film tells the complete story of Stuxnet, a piece of self-replicating computer malware (known as a worm for its ability to burrow from computer to computer on its own) that the U.S. and Israel unleashed to destroy a key part of an Iranian nuclear facility, and which u ...ltimately spread beyond its intended target. This is the most comprehensive accounting to date of how a clandestine mission hatched by two allies with clashing agendas opened forever the Pandora's Box of cyberwarfare.
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Grief, long-standing racial t ...ensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the national guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance. Whose Streets? is a powerful battle cry from a generation fighting, not for their civil rights, but for the right to live. Show More