Christopher Reeve was a world movie star, but in 1995 he suffered a near-fatal horseback riding accident that left him paralyzed from the neck down. He later became an activist for spinal cord injury treatment and the rights of people with disabilities.
This film offers a poignant exploration of Christopher Reeve's extraordinary life, weaving together intimate interviews with his children, Matthew, Alexandra, and Will. It chronicles his journey from a difficult childhood and a strained relationship with his father to his meteoric rise as Superman, a role that made him a global icon. The narrative transitions seamlessly between his career highs—starring in acclaimed films, enduring public missteps, and returning to the stage—and the personal challenges that shaped him, including his complex relationships, the birth of his children, and his eventual romance with Dana Morosini, the love of his life.
After the devastating horse-riding accident that left him paralyzed, Reeve's unwavering spirit redefined heroism. The film highlights his advocacy for spinal cord research, the creation of the Christopher Reeve Foundation, and the enduring impact he and Dana had on disability rights. Their story is one of resilience, love, and inspiration, with their children now carrying on their legacy. Through moments of triumph and heartbreak, this film celebrates a man who truly embodied the spirit of Superman, both on and off-screen.

The story of Nikola Tesla, the great scientist, visionary, and inventor who gave the world alternating current electricity, as well as being the father of radio. The film tells the story of this man's astonishing genius, his visions and inventions. Tesla's own scientific and autobiographical writings, as well as archival photographs and re-enactments are used to tell the story. A native of Austro-Hungary, Tesla came to America in 1884. Working first with Edison, the two inventors fell out over Edison's insistence on using direct current. Tesla took his alternating current vision to Westinghouse. Tesla worked to unlock the secrets of energy and electricity. The film follows Tesla's exploits and eccentricities, which made him a darling of the press. Largely forgotten today in spite of the great debt the modern world owes him, the film pays tribute to this overlooked genius

Deep Throat comes forward with the orders of anonymity with the horror story of what happened in 1994 with the charges against Maskell. With the location of a secret grave of documents, Deep Throat’s story contradicts the story of the former state’s attorney Sharon A.H. May. The group begins to investigate Dr. Richter who worked with Maskell to groom girls and their families.
As the case prepares for a potential trial, the disappearance of Father Maskell causes problems as the prosecutors find themselves defending the idea of repressed memories. When things fall apart, victims still find themselves seeking justice. Abbie and Gemma seek the links between Jean and the killer... which leads to a man named Brother Bob.

Charles Franz talks about his relationship with Father Maskell as a young student and reveals what he knows about the Church’s involvement with Maskell. Cathy’s sister sees the necklace given by Edgar Davidson and questions if it has significance.
Potential DNA and evidence could exist for the crime, and the police might be forced to act. A push for victims’ rights in Maryland goes to a committee but getting justice might be more difficult... and time doesn’t stand still for anyone.

Dr Nigel Spivey explores how art influences life by tracing the development of the image from cave paintings to our modern obsession with images. Dr. Spivey begins his investigation by travelling to the Cave of Altamira near the town of Santillana del Mar in Cantabria, Spain, where in 1879 a young girls exclamation of 'Papa, look, oxen!' to her father, local amateur archaeologist Marcelino Sanz de Sautuola, is explained to have meant that Maria had just become the first modern human to set eyes on the first gallery of prehistoric paintings ever to be discovered.

Years after he changed the landscape of filmmaking with The Exorcist, filmaker and writer William Friedkin moves from fiction to fact with this documentary. What began as a brief conversation between Friedkin and Father Gabrielle Amorth - the head Exorcist for the Diocese of Rome for over 30 years - as two professionals who knew of each other's work, soon transformed into an once-in-a-lifetime opportunity, as Amorth agreed Friedkin could film an exorcism ceremony. It would be the ninth exorcism for a painfully afflicted woman, and it would be filmed by Friedkin alone, with no other crew allowed, no light other than the natural light in the room and a small digital camera-and-mic unit that could capture the ritual and its revelations.
Combining the startling and singular footage from Cristina's exorcism with interviews from priests and psychologists, neurosurgeons and non-believers, Friedkin guides us on a journey into the twilight world between the boundaries of what we know and what we don't.