The third assault on the tattered remains of Roman civilization came from even further North, where the melting glacial ice had created immense sheltered fjords, leaving its inhabitants little choice but the sea. These fearless navigators understood that dominion over the oceans was the key to their ambitions.
Where the Romans expanded incrementally, the Vikings adopted a bolder, more aggressive approach. So was it the Dark Age which failed Europe, or the stifling uniformity of the great Roman experiment? Were the lost tribes more victim than failure? Richard Rudgley will hope to shed new light on the real secrets of the so-called Dark Age.

This is the dramatic global story of the first year of COVID-19, tracing the devastation caused by the spread of the virus across four continents. The way in which this coronavirus became COVID-19, transmission from animals to humans, is going on all the time. Habitat loss and live animal trading around the world that foster this is continuing. And therefore, we've got to expect that this will happen again.

With optional Hebrew subtitles. Simon Schama's history of the Jewish experience plunges into the lost world of the shtetl, the Jewish towns and villages sewn across the hinterlands of Eastern Europe which became the seedbed of a uniquely Jewish culture. Shtetl culture would make its mark on the modern world, from the revolutionary politics of the Soviet Union to the mass culture of Tin Pan Alley and Hollywood. It was also the birthplaces of Hasidism, the most visible, iconic and, arguably, most misunderstood expression of Jewish faith and fervour. This chapter of the story travels from the forests of Lithuania, where Simon's own family logged wood and fought wolves, to the streets of the Lower East Side where the sons of shtetl immigrants wrote the American songbook. With grim inevitability, the story returns to Eastern Europe in 1940 - where the genocidal mechanisms of the 'final solution' were beginning to grind the shtetl world into dust and ash.

Mark Oliver Everett, singer of the band EELS, on his quest to get to know his later father, quantum physicist Hugh Everett III, who invented the Many Worlds theory. The film follows Mark on his journey across America, where he meets old friends and colleagues of his father. Hugh died of a heart attack in his home in 1982, where his body was found by 19-year-old Mark. Even though they had lived in the same house, the two of them were alienated. Only by entering the paradoxical world of quantum mechanics can Mark hope to understand why he was such a stranger to his own father.

Caesar has been murdered, Mark Antony emerges from the Senate in shock, only to face Quintus Pompey and his thugs, who immediately follow him to try to kill him. Brutus returns home shaking after the murder. His mother is already plotting the return of the Roman Republic. Titus Pullo asks Eirene to marry him and she accepts. Erastes Fulmen kidnaps Lucius Vorenus' children and sister-in-law.
Mark Antony proposes an amnesty to the rest of the senate to keep the peace and allow the Republic to continue. Vorenus says goodbye to Niobe while Rome says goodbye to Caesar. Vorenus and Pullo track down Fulmen to a bath house, where he tells them he killed Vorenus' family.

Pavarotti is a riveting film that lifts the curtain on the icon who brought opera to the people. Ron Howard puts audiences front row center for an exploration of the voice, the man, the legend. Luciano Pavarotti gave his life to the music and a voice to the world. This cinematic event features history-making performances and intimate interviews, including never-before-seen footage and cutting-edge Dolby Atmos technology.
Born in 1935 in Modena in a worker-class family, Luciano Pavarotti felt since his childhood the passion by opera due to his father, an amateur tenor. Blessed with a powerful voice and student of the most important Italy's opera teachers of those times, soon the name of Pavarotti turned in a reference of the genre, giving some of the most remembered live performances in the most important theaters across the world, meeting with politicians and world leaders as well as rock and pop singers to bring concerts for humanitarian causes, over-passing any limit when he was part of The Three Tenors with the too opera singers José Carreras and Plácido Domingo.