The film uses drones, hidden and handheld cameras to expose the dark underbelly of modern animal agriculture, questioning the morality and validity of humankind's dominion over the animal kingdom. While mainly focusing on animals used for food, it also explores other ways animals are exploited and abused by humans, including clothing, entertainment and research. In words of its writer & director, Chris Delforce, 'Dominion to me is the idea of one group or entity exercising control, power or authority over another, under the belief that they have the right to do so. Often this belief seems to stem from the perception of self-superiority and that might equals right. Through this film I challenge both the notion that animals are inferior, and that we as humans have the right to use and treat them as we please for our own ends – and I briefly examine how this superiority complex has and continues to complement some of humanity's darkest ideologies, asking viewers to consider the similarities between racism, sexism and speciesism.'
For centuries scientists have been attempting to come up with an elixir of youth. Now remarkable discoveries are suggesting that ageing is something flexible that can ultimately be manipulated. The scientists are attempting to piece together why we age and more vitally for all of us, what we can do to prevent it. But which theory will prevail? Does the real key to controlling how we age lie with a five-year-old boy with an extraordinary ageing disease or with a self-experimenting Harvard professor?
Could one of these breakthroughs really see our lives extend past 120 years?
The film is a intimate diary of Bob Dylan's 1965 tour of Britain, chronicling reactions as his tunes caught the nation off-guard, but ultimately won him critical acclaim and worldwide fame and fortune. Featuring interviews with various Sixties cult figures, including the man himself, his then-girlfriend Joan Baez and poet Allen Ginsberg.
A gripping documentary that delves into the shadowy world of social media algorithms, revealing how they amplify harmful content and controversial figures like Andrew Tate. With exclusive interviews from his critics, supporters, and those who know him personally, the film exposes the shocking truth behind Tate's rise to infamy and influence. It asks a critical question: how does someone with such toxic, misogynistic views manage to captivate millions of young followers, despite facing charges of rape and human trafficking? This film goes beyond the surface of Tate’s controversial persona to uncover the disturbing power of social media platforms. By pulling back the curtain on the algorithms designed to promote extreme and inflammatory content for profit, it paints a chilling picture of the real-world consequences of online hate. A must-watch for anyone seeking to understand the dangerous intersection of internet culture and its impact on society.
Even as the science grew more certain, the oil industry continued to block action to tackle climate change in the new millennium. In a revelatory interview, Christine Todd Whitman, George W. Bush's former environment chief, tells the story of how the industry successfully lobbied President Bush to reverse course on his campaign promise to regulate carbon emissions. Tensions grew between two of the world's biggest oil companies, ExxonMobil and BP, after the latter publicly called for action to tackle climate change. The election of Barack Obama provided hope for supporters of climate action, but the billionaire Koch brothers made an effort to block the new president's attempts to pass climate change legislation, and climate denialism became the mainstream position of the Republican Party. A lawyer who worked for Koch brothers through this period speaks on camera for the first time.
The film outline the tragedy that occurred between March 2019 and December 2020, when two Boeing planes mysteriously crashed, causing the deaths of 346 people. As a result, the Boeing 737 MAX passenger airliner was grounded. Investigators reveal how Boeing’s alleged priority of profit over safety could have contributed to these two catastrophic crashes within months of each other.
In words of its writer & director, Chris Delforce, 'Dominion to me is the idea of one group or entity exercising control, power or authority over another, under the belief that they have the right to do so. Often this belief seems to stem from the perception of self-superiority and that might equals right. Through this film I challenge both the notion that animals are inferior, and that we as humans have the right to use and treat them as we please for our own ends – and I briefly examine how this superiority complex has and continues to complement some of humanity's darkest ideologies, asking viewers to consider the similarities between racism, sexism and speciesism.'