Once life arrived in the Galapagos, it exploded into unique and spectacular forms. David Attenborough investigates the driving forces behind such evolutionary innovations. We learn that life must be able to adapt quickly in these ever-changing volcanic landscapes. It has resulted in species found nowhere else in the world, such as giant whale sharks and marine iguanas that can spit sea-salt from their noses, dandelion seeds that grow into tree-sized plants and spiders that can blend perfectly into the darkness. Adaptation has been the key to survival in these islands so far, but the story of life in the Galapagos doesn’t end here. The catalyst that triggers these explosions of life remains in place.

A compelling (and sometimes humorous) look at the rise and proliferation of this social phenomenon from several varying perspectives and how the lives of those engaged in it are affected. Throughout the course of the film, we examine nearly every aspect of what has become a national and international pastime. A vast range of opinions give their input about this delicate subject and, as such, discussions with notable figures in the entertainment, political and medical fields (among others) are included. The film touches on the many high profile scandals surrounding public officials and the resulting consequences of their actions. In stark contrast, an honest look at the possibility of sexting as a positive development within the framework of healthy relationships is also presented. Sexting exists and is not likely to disappear anytime soon. "ADDICTED TO SEXTING" shows the why, how and what possible purpose it serves.

Hear firsthand from individuals struggling with addiction and follow the cutting-edge work of doctors and scientists as they investigate why addiction is not a moral failing, but a chronic, treatable medical condition. Easy access to drugs like heroin, fentanyl, and even prescription medications like OxyContin has fueled an epidemic of addiction - the deadliest in US history. Now, science is revealing how addiction affects the brain, and top experts are gathering evidence about how we should address our drug problem, from embracing evidence-based treatments, to rethinking public policies.

A live concert performance of Grammy-winning pop/soul sensation Adele Adkins at the Royal Albert Hall in London. The film features the full 90 minute performance plus behind the scenes footage shot throughout that day.
'Live At The Royal Albert Hall' showcases exactly why Adele has become one of the most sought after live performers in the world.

As Sal has his day in court -again- Willy decides to go his own way. After two decades, can the government finally make the charges stick?

Painted over five centuries ago, Filippo Lippi's nativity is like none other: it shows the birth of Christ in a dark, wooded wilderness. There are no shepherds, kings, ox, ass – there is no Joseph. Its beauty inspired Michelangelo, Leonardo da Vinci and Botticelli. But it also conceals a deeply personal story. It was painted for Cosimo de Medici, a wealthy banker who feared that his money was dragging him straight to hell. The artist's life was equally surprising. One of the most celebrated painters of his day, Filippo Lippi was also a Carmelite friar, but he was no stranger to the temptations of the flesh, to which he frequently yielded. Shortly before painting his Adoration, he caused uproar by seducing a twenty year-old nun. His paintings rejoice not only in divine beauty, but in the beauty of women. In later times, the Adoration's history was interwoven with that of rulers and dictators. It became a bargaining chip after Napoleon's allies seized twenty merchant ships. And in the 20th century, it was hidden by the Nazis in a potassium mine, where specialist american officers, known as Monuments Men, stumbled upon it. they were now told to get it ready to be shipped out. In an unprecedented turn of events they refused. This is the only known case in the whole of the Second World War of American officers refusing an order. It was sent to the National Gallery of Art, but in 1949 Lippi's Adoration was returned to Germany.