Culture

Crushed by the death of his father, a mentally exhausted Michael Jordan retires in 1993 - to play baseball. The Chicago Bulls move on with Scottie Pippen in the lead role. In 1998, Jerry Krause confirms this will be Phil Jackson's last year as the coach of the Bulls.

This spellbinding documentary follows Aisholpan, a 13-year-old nomadic Mongolian girl who is fighting an ingrained culture of misogyny to become the first female Eagle Hunter in 2,000 years of male-dominated history. Through breathtaking aerial cinematography and intimate verite footage, the film captures her personal journey while also addressing universal themes like female empowerment, the natural world, coming of age and the onset of modernity.

In the 1998 NBA finals, the defending NBA champion Chicago Bulls played against Utah Jazz in a repeat of the previous year's Final. With Utah leading 86-85 and few seconds remaining of the definitive match, John Stockton passed the ball to Karl Malone but Jordan stole the ball away and dribbled down the court to hit a 20-footer to end the finals.
Battered and exhausted, the Bulls conclude their 'Last Dance' with a sixth championship. Michael, Phil Jackson and others reflect on the end of the dynasty.

In 1985, two adventurous young mountaineers, Joe Simpson and Simon Yates, set off to climb the treacherous west face of the Siula Grande in the Peruvian Andes. They were experienced climbers, and climbed "Alpine-style," climbing the mountain in "one great push," without setting up ropes or base camps ahead of time. After dealing with a snowstorm and some dangerous climbing over powder formations, they reached the summit (about 21,000 feet) on the third day. The climb down proved to be far more difficult. Simpson fell and broke his leg badly. Yates decided to try to lower Simpson down the mountain, one 300-foot section of rope at a time. The climbers had run out of gas to melt snow, so they couldn't risk stopping as night came, and a violent snowstorm began. Their plodding, painful journey hit a snag when Yates inadvertently lowered Simpson over the edge of a cliff. In the storm, the men couldn't hear each other's cries, and, Yates, uncertain as to Simpson's position, and gradually sliding down the slope himself, decided to cut the rope that connected them, sending Simpson plummeting to certain death. Miraculously, Simpson survived the fall, and was faced with the prospect of getting off the mountain alone with no food, no water, and a broken leg. In Touching the Void, filmmaker Kevin Macdonald (One Day in September) tells their story, based on Simpson's book, using contemporary interviews with the two men, and a reenactment of their climb and descent, featuring Brendan Mackey as Simpson and Nicholas Aaron as Yates

The youngest foot soldiers for the Lord are shown in their native environment in this documentary. Becky Fischer is a children's pastor who runs 'Kids on Fire,' a summer camp for evangelical Christian children in North Dakota. Fischer believes in the political and moral importance of a Christian presence in America, and uses her camp to reinforce the religious training most of her charges are already receiving at home (the majority of the campers are home-schooled by their parents).
Using video games, animated videos, and group activities to help put her message across, Fischer encourages the kids to pray for the President and his Supreme Court appointees while urging them to help 'take back America for Christ.' For the most part, the children seem reasonably ordinary beyond the fact they pray with uncommon fervour and sometimes speak in tongues.
Along with Fischer and her cohorts, Jesus Camp features interviews with Ted Haggard, an evangelist and advisor to George W. Bush, and Mike Papantonio, a Christian talk-show host who believes the right-wing slant of many Christian evangelists is taking the church into a dangerous direction.

This three-day music festival was promoted to echo unity and counterculture idealism of the original 1969 concert but instead devolved into riots, looting and sexual assaults. The film documents the notorious music festival like an unravelling horror film to visceral effect, presenting a flashpoint in cultural nadir while suggesting that it was also a sign of troubles to come.