Three years in the making, Francis Whately’s film is a social and musical history of (probably) the world’s greatest music festival, as told by its principal curators, Michael and Emily Eavis, and many of the key artists who’ve appeared there between 1970 and 2019 – Billie Eilish, Thom Yorke, Florence Welch, Dua Lipa, The Levellers, Aswad, Orbital, Fatboy Slim, Linda Lewis, Noel Gallagher, Ed O’Brien, Chris Martin, Stormzy and more. Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere. This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.
They defined music and popular culture like no other band ever will - but how did The Beatles make the journey from Merseyside teenagers to international pop stars in the 1960s? Made on Merseyside - The Beatles discovers how American rock 'n' roll and rhythm and blues dragged post-war Liverpool into one of the most vibrant music cities ever with the Mersey Sound. Featuring revealing interviews from those involved in the early years of The Beatles in Liverpool and Hamburg and unique archive, the incredible story of The Beatles' previous band formations and why it took so long for them to achieve success makes riveting viewing. From school bands, to colleges; Hamburg to The Cavern Club, The Beatles changed the world of pop music forever, but was Pete Best's sacking from the band and Ringo's replacement the final part of the jigsaw?
Well-known fans celebrate Stevie Wonder and his music by selecting some of his best-loved songs. Contributors include actor Martin Freeman, singers Alexander O'Neal, James Morrison, Beverley Knight and Corinne Bailey Rae, Gillian Gilbert and Stephen Morris, DJs Ana Matronic, Trevor Nelson and Norman Jay, journalist Sian Pattenden and presenter Emma Dabiri. Stevie Wonder is one of the dominant figures in American music, a multi-faceted genius whose music has permeated popular culture, and he is not short of celebrity fans. His musical achievements are lauded in this anthology of his greatest hits.
Depeche Mode: Live in Berlin was filmed on location at the O2 World Berlin on November 25th and 27th, 2013 during the band's extremely successful 'Delta Machine' Tour which saw them play to over 2.4 million people in 32 countries.
The band are captured performing live on 23–24 September 2003 at the FleetCenter (now known as the TD Garden) in Boston, Massachusetts during the group's Say You Will Tour, before a specially invited audience of industry insiders and friends. Having sold an amazing amount of records, and gone through tumultuous personal problems that would have finished off most bands, Fleetwood Mac have created an enduring legacy for themselves.
The film documents the English heavy metal band Black Sabbath's final show of their farewell concert tour, The End Tour. The performance was held at the Genting Arena in Birmingham, England, hometown of the band's founding members: vocalist Ozzy Osbourne, guitarist Tony Iommi, bassist Geezer Butler, and drummer Bill Ward. Osbourne, Iommi, and Butler performed this final concert with session drummer Tommy Clufetos in place of Ward, as well as Adam Wakeman on keyboards and guitar. The concert opens with a performance of the song 'Black Sabbath'. The film goes on to show the band performing 'Fairies Wear Boots', 'Under the Sun/Every Day Comes and Goes', 'Into the Void', 'Snowblind', 'War Pigs', 'Hand of Doom', 'Iron Man', and 'Children of the Grave'; at the end of the setlist, the band performs the song 'Paranoid' as an encore. Interspersed with the final concert are interviews with Osbourne, Iommi, and Butler, in which they talk about their careers and past drug addictions. Additionally, Iommi's 2012 lymphoma diagnosis, which impacted the band's 2012–14 reunion tour and the recording of their 2013 album 13, is discussed. The film also features footage of 'The Angelic Sessions'—the band's final studio recordings, which took place in the days following the final show. Of these recordings, the film shows Osbourne, Iommi, and Butler performing 'The Wizard', 'Wicked World', and 'Changes'.
Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere.
This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.