Documentary about progressive music and the generation of bands that were involved, from the international success stories of Yes, Genesis, ELP, King Crimson and Jethro Tull to the trials and tribulations of lesser-known bands such as Caravan and Egg. The film is structured in three parts, charting the birth, rise and decline of a movement famed for complex musical structures, weird time signatures, technical virtuosity and strange, and quintessentially English, literary influences. It looks at the psychedelic pop scene that gave birth to progressive rock in the late 1960s, the golden age of progressive music in the early 1970s, complete with drum solos and gatefold record sleeves, and the over-ambition, commercialisation and eventual fall from grace of this rarefied musical experiment at the hands of punk in 1977. Contributors include Robert Wyatt, Mike Oldfield, Pete Sinfield, Rick Wakeman, Phil Collins, Arthur Brown, Carl Palmer and Ian Anderson.
The film gives an extensive insight into the concept, the recording of the songs and the designing of the album cover. It includes exclusive interviews with almost every key person, who participated in producing the album. The band is represented by all three surviving members – David Gilmour, Nick Mason and Roger Waters. Other participating people include: Joe Boyd, Venetta Fields, Jill Furmanovsky, Roy Harper, Brian Humphries, Peter Jenner, Nick Kent, Aubrey Powell, Ronnie Rondell Jr. (who depicted the 'urning man' on the original cover), Gerald Scarfe, and Storm Thorgerson.
Details one of the most elaborately staged theatrical productions in music history as Pink Floyd frontman Roger Waters performs the band's critically acclaimed album The Wall in its entirety. The tour 'Roger Waters: The Wall' were performed from September 2010 to September 2013. The film have lots of footage from the concerts and other materials that have been filmed recently by Roger Waters – like his visit to his father’s grave in Italy that featured a film crew.
An in-depth look into the life and work of the iconic artist and musician Frank Zappa. As a singer, songwriter, rock guitarist, classical composter, recording producer and even occasional film director, Frank Zappa was as difficult to describe as his eclectic music was throughout his 30-year career. Zappa was without peer, a singular entity who branched out in countless directions, and in the process, became one of the most important and influential musical artists of the latter-20th century. With his most famous band, The Mothers of Invention, he blended rock, jazz, classical, doo-wop, R&B and avant-garde stylings with strange, sexually-tinged lyrics and absurd stage theatrics to create a wholly unique live experience, while in the studio producing outside-the-mainstream albums.
(click CC for subtitles) 'a-ha' is Norway's only international pop band and their hit 'Take On Me' is still one of the most-played songs of the last millennium. The film follows the band over a period of four years, telling the full story of how three young men followed their impossible dream of becoming Norwegian pop stars. When 'Take On Me' reached number 1 on Billboard in the US in 1985, the dream came true. Or did it? Almost 35 years after their breakthrough, a-ha still creates magic on stage with their melancholic and timeless music. They tour the world but drive in separate cars and stay in separate hotel rooms. They only meet on stage, doing the one thing they love. The film closely portrays the challenging creative and personal dynamics of a group of three strong individuals who have grown up together, but in different directions. What does success do to friendship? Why are they not capable of creating new music together anymore? This is a story of great music, big ambitions, broken friendship--and maybe forgiveness.
Rock became a vehicle for artistic ideas and theatrical performance. From the pop-art multi-media experiments of Andy Warhol and the Velvet Underground to the sinister gentility of Peter Gabriel's Genesis. We follow Pink Floyd from the fated art school genius of Syd Barrett through the global success of Dark Side of the Moon. The film explores the retro-futurism of Roxy Music and the protean world of David Bowie.
It looks at the psychedelic pop scene that gave birth to progressive rock in the late 1960s, the golden age of progressive music in the early 1970s, complete with drum solos and gatefold record sleeves, and the over-ambition, commercialisation and eventual fall from grace of this rarefied musical experiment at the hands of punk in 1977. Contributors include Robert Wyatt, Mike Oldfield, Pete Sinfield, Rick Wakeman, Phil Collins, Arthur Brown, Carl Palmer and Ian Anderson.