Foo Fighters commemorate their 20th anniversary by documenting the eight-city recording odyssey that produced their latest, and eighth, studio album. Foo Fighters founder Dave Grohl directs the series, which taps into the musical heritage and cultural fabric of eight cities: Chicago, Austin, Nashville, Los Angeles, Seattle, New Orleans, Washington D.C. and New York. The band based themselves at a legendary recording studio integral to the unique history and character of each location. One song was recorded in each city, and every track features local legends. Even the lyrics were developed in an experimental, unprecedented way: Grohl held off on writing them until the last day of each session, letting himself be inspired by the experiences, interviews and personalities that became part of the process. Foo Fighters Sonic Highways is, in Grohl’s words, “a love letter to the history of American music.” Each episode delves into the identity of each city -- showing how each region shaped these musicians in their formative years and, in turn, how they impacted the cultural fabric of their hometowns. Every artist who appears in the show, regardless of genre or locale, started as an average kid with universal dreams of making music and making it big. Grohl made his feature film directorial debut in 2013 with the universally acclaimed Grammy-winning Sound City, a celebration of the human element in the creation and recording of music. Foo Fighters have won 11 Grammy Awards, including four for Best Rock Album, more than any other band. Premiering on the eve of Foo Fighters’ 20th anniversary, Foo Fighters Sonic Highways aims to “give back” to the next generation of young musicians. As guitarist and singer Buddy Guy, an interviewee from the Chicago blues scene, explains, “Everything comes from what’s come before.”
In the first episode, Dave Grohl and friends discuss the rise of the famous Chicago music scene from the roots blues of Muddy Waters and Buddy Guy to the Rock and roll of Cheap Trick.

This is the story of a book that could have changed the history of the World. To the untrained eye, it is nothing more than a small and unassuming Byzantine prayer book. For faintly visible beneath the prayers on its pages are other, unique, writings - words that have been lost for nearly two thousand years. The text is the only record of work by one of the world's greatest minds - the ancient Greek, Archimedes - a mathematical genius centuries ahead of his time. Hidden for a millennium in a middle eastern library, it has been written over, broken up, painted on, cut up and re-glued. But in the nick of time scientists have saved the precious, fragile document, and for the first time it is revealing just how revolutionary Archimedes' ideas were. If it had been available to scholars during the Renaissance, we might have reached the Moon over a hundred years ago.

The Bronze Age covers 2,000 years of history in the Aegean/Mediterranean, Egypt and Near East from roughly 3000 BC to 1000 BC. New animations produced by Pixeldust include the reconstruction of four ancient capitals, including the Egyptian city of Thebes and the early Greek capital of Mycenae. What singled out this period and the new societies and cities that emerged? The development of formal writing is one among several important factors.

The series explores the impact of racism on a global scale and chronicles the shifts in the perception of race and the history of racism in Europe, the Americas, Australia and Asia. The first episode begins by assessing the implications of the relationship between Europe, Africa and the Americas in the 15th century. It considers how racist ideas and practices developed in key religious and secular institutions, and how they showed up in writings by European philosophers Aristotle and Immanuel Kant.

Two and a half thousand years ago, the Greek philosopher Socrates worried that the wide use of writing would have a negative impact on people's minds. He said that writing would create forgetfulness, because people will not use their memories. They would trust the external written characters and not remember themselves. In a world with an ever-growing tech industry, Michael Stevens tries to find out what effect technology has on our brains. He finds Technology isn't just changing our lives, it's changing our brains. In his experiments he tests what just 10 days of gaming does to things like our spatial memory.

This episode covers the nature of how life may have developed on Earth and the possibility of life on other planets. Tyson begins by explaining how the human development of writing systems enabled the transfer of information through generations, describing how Princess Enheduanna ca. 2280 BCE would be one of the first to sign her name to her works, and how Gilgamesh collected stories, including that of Utnapishtim documenting a great flood comparable to the story of Noah's Ark. Tyson explains how DNA similarly records information to propagate life, and postulates theories of how DNA originated on Earth, including evolution from a shallow tide pool, or from the ejecta of meteor collisions from other planets. In the latter case, Tyson explains how comparing the composition of the Nakhla meteorite in 1911 to results collected by the Viking program demonstrated that material from Mars could transit to Earth, and the ability of some microbes to survive the harsh conditions of space. With the motions of solar systems through the galaxy over billions of years, life could conceivably propagate from planet to planet in the same manner. Tyson then moves on to consider if life on other planets could exist. He explains how Project Diana performed in the 1960s showed that radio waves are able to travel in space, and that all of humanity's broadcast signals continue to radiate into space from our planet. Tyson notes that projects have since looked for similar signals potentially emanating from other solar systems. Tyson then explains that the development and lifespan of extraterrestrial civilizations must be considered for such detection to be realized. He notes that civilizations can be wiped out by cosmic events like supernovae, natural disasters such as the Toba disaster, or even self-destruct through war or other means, making probability estimates difficult. Tyson describes how elliptical galaxies, in which some of the oldest red dwarf stars exist, would offer the best chance of finding established civilizations. Tyson concludes that human intelligence properly applied should allow our species to avoid such disasters and enable us to migrate beyond the Earth before the Sun's eventual transformation into a red giant.