In the third episode of the series, his experience upon joining Real Madrid for the 2003/2004 season is depicted. The episode begins with Beckham receiving a surprising invitation to join Real Madrid, and it narrates his emotions and concerns as he embarks on his career at the club, particularly under a coach who didn't initially want him on his former team. Beckham describes the intense pressure and expectations he faced upon joining Real Madrid, a club with passionate fans who consider the team as a religion.
As the season progresses, Beckham grapples with adapting to his new team, facing challenges such as competition for his position and constant media and fan pressure. However, as he gradually acclimates, he begins to earn the respect and affection of his teammates and showcases his prowess on the field. The episode highlights a pivotal moment in his home debut when Beckham scores a celebrated goal, solidifying his place at Real Madrid. Additionally, it delves into the relationship between Beckham and his wife Victoria during this life transition and how his family provided support during this challenging period.

What makes this series particularly compelling is its ability to show that beyond differences, the longing for connection, love, and acceptance is universal. ‘Love on the Spectrum U.S.’ is not just a testament to the resilience and strength of its protagonists but also serves as a source of education and empathy for viewers. Watching it is more than an entertaining experience; it's an invitation to reflect on the nature of love and the importance of celebrating our differences, making it an indispensable addition to the current TV landscape.
In the second episode, James goes out with an Instagram admirer. Connor has a pleasant reunion with a former coworker. First-timer Tanner gets dating advice from Jennifer.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.