In 1996, the Menendez brothers' trial for the brutal murder of their parents shocked the nation and left a lasting mark on America's legal and cultural landscape. Now, decades later, this gripping documentary revisits the case that fascinated millions, providing unprecedented access to those closest to the brothers and the courtroom drama. Through exclusive interviews, newly uncovered details, and firsthand accounts, it sheds light on the motivations, emotions, and complex family dynamics that led to the shocking crime.
Lyle and Erik Menendez, serving life sentences in prison, break their silence to offer their perspective on the harrowing events that forever changed their lives. This documentary explores not only the chilling crime and sensational media coverage but also the brothers’ own reflections and the ongoing debate about justice, privilege, and the true nature of the tragedy. Prepare to witness a story of betrayal, power, and a search for answers that still haunts America to this day.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.