Dive into a captivating documentary on S.S. Rajamouli, the mastermind behind cinematic phenomena like ‘Magadheera,’ ‘Baahubali,’ and ‘RRR.’ Discover how Rajamouli navigates the complexities of high-budget filmmaking, from innovative visual effects and meticulous continuity to fostering a dynamic collaboration with his talented team. Hear firsthand accounts of overcoming technical challenges, managing escalating budgets, and transforming ambitious visions into globally acclaimed blockbusters.
Witness Rajamouli's unwavering dedication to storytelling and his relentless pursuit of perfection, which have redefined Indian cinema on the world stage. Gain unique insights into his creative process, his philosophy on character development, and the personal sacrifices made to achieve cinematic greatness. This behind-the-scenes look promises to inspire and captivate both film enthusiasts and aspiring filmmakers alike.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.