The 1980s was an era in which a fusillade of new genres emerged, and many are still with us today, such as hip-hop and house. Dylan Jones has mined the archives to select some of the most crucial tracks in the rise of these two genres.
From a young Kurtis Blow making his Top of the Pops debut to the sonic bombardment of Public Enemy and the sampling skills of Bomb the Bass, this episode showcases the evolution in rap and house music across the decade. There are rare archival interviews and stellar performances from Run-DMC, Salt 'N' Pepa, S'Express, Cookie Crew and Neneh Cherry, as well as iconic videos from Herbie Hancock, The Beastie Boys, M/A/R/R/S, Grandmaster Flash and the Furious Five, and many more.

Edgar Davidson agrees to talk to investigators but tells a different story. Cathy’s sister Marilyn indicates her interest in solving the case. Tom Nugent casts doubt on Gerry Koob’s story about the night of Cathy’s disappearance. The search for the other man at Cathy’s apartment Pete McKeon may have information about Koob’s relationship.
What Cathy’s roommate Sister Russell knew about the abuse and Cathy’s relationship comes into question. 'Jane Doe' and 'Jane Roe' meet for the first time and talk about the Keough. Abbie investigates Baltimore’s investigation into the abuse reports they received. Marilyn Cesnik Radakovic recalls receiving a mysterious letter from her sister after her death.

Explore the intriguing world of M.C. Escher in this captivating documentary, which delves deep into his life and artistic journey through his own words. Narrated with excerpts from his writings, the film is visually enriched with archival footage of Escher himself and showcases his iconic drawings. Gain unique insights from interviews with his surviving family members who illuminate aspects of his personal and professional life.
Escher, who often described his work as straddling the realms of art and mathematics, admitted to not excelling in either yet found profound expression in geometry-infused art. Choosing to work in stark black and white, he embraced the challenge of conveying complex ideas without the use of color. The film explores pivotal phases in his career, including his mesmerizing explorations of the human eye and his ultimate obsession with the concept of infinity—depicted in real forms like circles and through visual illusions such as his famous never-ending staircase.
The documentary also features perspectives from admirers such as musician Graham Nash, who argues that Escher's genius remains underappreciated. This film promises not only to shed light on Escher’s innovative work but also to inspire a deeper appreciation for his unique blend of visual storytelling and mathematical precision.

Winner of the Best Documentary Short Award, the film tells the story of four unassuming heroes who ensure no student is deprived of the joy of music. It is also a reminder of how music can be the best medicine, stress reliever and even an escape from poverty.
Since 1959, Los Angeles has been one of the few United States cities to offer and fix musical instruments for its public school students at no cost. Those instruments, numbering around 80,000, are maintained at a Los Angeles downtown warehouse by a handful of craftspeople. The film profiles four of them, each specializing in an orchestra section, as well as students whose lives have been enriched by the repair shop's work. The film concludes with a performance by district alumni.

Nathan stages a ninth birthday party for Adam, but faces a problem when Remy, one of the child actors who played Adam at age six, becomes attached to Nathan, calling him 'daddy' even after his scenes are over. Remy's mother explains that her son might have trouble understanding the difference between acting and reality. To discover what went wrong, Nathan repeats Remy's scenes with different actors including Liam (a nine-year-old Adam actor), an adult actor, and a mannequin. He then explores what might have happened if Angela had stayed with him and meets with the real Angela, who urges him to forgive himself, as her religious beliefs state.
In an attempt to truly understand the connection between parent and child, Nathan stages a new scenario in which he is Remy's mother Amber and Liam portrays Remy. They re-create the experience of appearing on The Rehearsal and becoming attached to 'pretend daddy' Nathan. After coming to the emotional realization that they should not have done the show, Nathan as Amber seemingly breaks character and tells the fake Remy, 'I'm your daddy.'

Recent archaeological sites in England offer a whole new perspective on the life and death of the seafarers and marines who built the British Empire in the 18th and 19th centuries. The bones of sailors reveal surprising and shocking facts. Apparently not only seasoned men but also half children did their service in the Royal Navy; according to the investigations, the youngest were no older than 13 years. A forensic archaeologist studies the injuries on bones discovered at the site of an battle and suggests how these people may have died.
Three-hundred-and-fifty skeletons, exhumed from Royal Navy graveyards from the age of Nelson's Navy, are throwing an extraordinary new light on how these sailors lived, fought, outwitted their enemy, and, from the oldest to youngest, suffered for victory. These men were the beating heart of the most victorious fleet in history and never have so many of these sailors' remains been available for forensic investigation.
Six remarkable stories stand out: the child sailor, the top man, the American gunner, the freed slave, the marine and the victim of the sailor's most dreaded disease: syphilis. Broken bones, amputations, injuries from blows with a saber or cutlass, sexually transmitted diseases, but also malnutrition - the list of causes of death is long. There is definitely no tale of seafaring romance. These fighters and sailors sailed the globe as cannon fodder, conquered an empire for the crown, and were themselves forgotten. No longer just bones in a box, the men of Nelson's Navy are back from the dead.