In the second episode, the directors learn their vision for the films is not always permissible by the U.S. government. Wyler is shocked by the racism he encounters against African American soldiers and refused to make a film recruiting black soldiers. Meanwhile, the films' racist depiction of the Japanese versus human depiction of the Germans causes worry for the War Department, which at that time planned to redistribute the Japanese-American population from internment camps into towns across the United States.

Farrands, Hutson, and Kasch first worked together on the documentary film His Name Was Jason. According to Farrands, who reunited with Hutson, they jointly decided that it was time to tell the stories behind why the various Elm Street films were created and why they decided to fund the entire project independently.

Superman is really the all-father of superheroes. He is the Odin from which all else springs forward. Without Superman, there's no Marvel or DC, no billion-dollar blockbusters. His logo is one of the three most recognizable symbols on the planet, and it stands shoulder to shoulder with the crucifix and the Jewish star. Superman became a worldwide phenomenon and was created by two working-class kids from Cleveland, Jerry Siegel and Joe Shuster.
Superman is for justice and it's kind of ironic that there was a great injustice done to his creators. Siegel and Shuster lost everything, and just like Superman, they demanded justice. They fought for years to receive proper credit and compensation.

The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.

A compelling, dramatic and stylish cinematic journey into snowboarding's unique history and the wider cultural forces that shaped it. Featuring interviews and archival footage with Todd Richards, Gigi Rüf, Terje Haakonsen, Jake Burton, Tom Sims, Stale Sandbech and Craig Kelly.

(Click CC for subtitles) Whether headlining films in Sweden, Italy, or Hollywood, Ingrid Bergman always pierced the screen with a singular soulfulness. Seven time Academy Award-nominee and three time Academy Award-winner Bergman was one of the most talented actresses of Hollywood's Golden Age with great performances in films such as Casablanca (1942), Gaslight (1944) and and Autumn Sonata (1978). In spring 2011, director Stig Björkman meets Ingrid Bergman's daughter Isabella Rossellini and she suggests him to 'make a film about Mama'. Through Isabella, Stig is able to tell Ingrid's story through her own words and images.
With never-before-seen private footage, notes, letters, diaries and interviews with her children, this documentary presents a personal portrait and captivating look behind the scenes of the remarkable life of a young Swedish girl who became one of the most celebrated actresses of American and World cinema.