P.U.L.S.E is a Pink Floyd concert video taken from the 20 October 1994 concert at Earls Court, London. PULSE records the great psychedelic band Pink Floyd rocking out like only they can. Renowned for their hallucinatory special effects and lighting schemes, Pink Floyd goes all out at this spectacular (and very long) concert. Twenty-one of their classics are performed, including classic rock radio staples 'Dark Side of The Moon' and 'Wish You were Here". There was considerable delay in the release of the video edition of Pulse. The cause of the delays was reputed to be the continued modifications and additions to produce a high-quality release. The previous planned release date of 22 September 2005 for the two-disc DVD set was changed to 10 July 2006 for the UK and Europe, and 11 July 2006 everywhere else.

A ground-breaking new trial at Imperial College London sees, for the first time ever under controlled conditions, a psychedelic drug tested head-to-head against a standard antidepressant as a treatment for depression. The film follows a pioneering team of scientists and psychotherapists as they compare the effects of psilocybin (the active ingredient of magic mushrooms) with an antidepressant on a small group of participants with clinical depression.
This is scientific research at its most cutting edge. With over seven million people being prescribed antidepressants each year in England alone, this drug trial is an important milestone in understanding a completely different treatment for depression. How do psychedelic drugs measure up against the industry-standard antidepressants that have been popular since the 1990s? The empirical results of the trial are explored alongside the participants’ powerful lived experience.

With optional Hebrew subtitles. Simon Schama explores the history of the Jewish experience from ancient times to the present day. This programme begins the tale 3,000 years ago, with the emergence of a tribal people in a contested land and their extraordinary book, the Hebrew Bible, a chronicle of their stormy relationship with a faceless, formless, jealous God. It was loyalty to this 'God of Words' that defined the distinct identity of the ancient Jews and preserved it despite all that history could throw their way". The story unfolds with a dazzling cast of historical characters: Sigmund Freud dying in exile in London; Victorian evangelicals and explorers following 'in the footsteps' of Moses; Jewish mercenaries living, prospering and intermarrying in the pagan land of Egypt; Messianic Jews dreaming of the Apocalypse; and a Jewish historian, Josephus, who witnessed first-hand the moment when the apocalypse finally came and the Romans destroyed the Jewish High Temple in Jerusalem.

The National Gallery in London is one of the great museums of the world with 2400 paintings from the 13th to the end of the 19th century. Almost every human experience is represented in one or the other of the paintings. The sequences of the film show the public in various galleries; the education programs, and the scholars, scientists and curators, studying, restoring and planning the exhibitions. The relation between painting and storytelling is explored.

The definitive story of cinema’s most iconic figure, from an impoverished childhood in London through a spectacular rise to fame, until his scandalous fall from grace and a self-imposed exile. His stage persona and incendiary media portrayal defined how he was perceived, but his private life has always been shrouded in mystery - until now. Never-before-heard recordings, intimate home movies and newly restored classic films reveal a side to Chaplin that the world never got to see.
Filmmakers Spinney and Middleton shed light on Chaplin’s family life, his contentious relation to the political commotions of the 20th century, and artistic genius.

It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker.