Explore the intriguing world of M.C. Escher in this captivating documentary, which delves deep into his life and artistic journey through his own words. Narrated with excerpts from his writings, the film is visually enriched with archival footage of Escher himself and showcases his iconic drawings. Gain unique insights from interviews with his surviving family members who illuminate aspects of his personal and professional life.
Escher, who often described his work as straddling the realms of art and mathematics, admitted to not excelling in either yet found profound expression in geometry-infused art. Choosing to work in stark black and white, he embraced the challenge of conveying complex ideas without the use of color. The film explores pivotal phases in his career, including his mesmerizing explorations of the human eye and his ultimate obsession with the concept of infinity—depicted in real forms like circles and through visual illusions such as his famous never-ending staircase.
The documentary also features perspectives from admirers such as musician Graham Nash, who argues that Escher's genius remains underappreciated. This film promises not only to shed light on Escher’s innovative work but also to inspire a deeper appreciation for his unique blend of visual storytelling and mathematical precision.

Winner of the Best Documentary Short Award, the film tells the story of four unassuming heroes who ensure no student is deprived of the joy of music. It is also a reminder of how music can be the best medicine, stress reliever and even an escape from poverty.
Since 1959, Los Angeles has been one of the few United States cities to offer and fix musical instruments for its public school students at no cost. Those instruments, numbering around 80,000, are maintained at a Los Angeles downtown warehouse by a handful of craftspeople. The film profiles four of them, each specializing in an orchestra section, as well as students whose lives have been enriched by the repair shop's work. The film concludes with a performance by district alumni.

Space. Gone are the bayonets and pistols, the bows and arrows, the slingshots and stones of past warfare. Now, we have pushed into the outer limits, into a vast frontier, well beyond earth's atmosphere. Human beings have long contested the domains of air, land, and sea. Now we are racing toward a new domain. How we use space will decide our Earthly fate, a future determined not by any previous war.

In the third episode, during cleanup at the plant, insiders claim that cost-cutting measures and intimidation tactics create a danger war force than the accident itself.
Several state and federal government agencies mounted investigations into the crisis, the most prominent of which was the President's Commission on the Accident at Three Mile Island, headed by chairman John G. Kemeny. The investigation strongly criticized Babcock & Wilcox, Met Ed, Graphics processing unit, and the Nuclear Regulatory Commission for lapses in quality assurance and maintenance, inadequate operator training, lack of communication of important safety information, poor management, and complacency.
Kemeny said that the procedures and that the control room were greatly inadequate for managing an accident.

(Click CC for subtitles) Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented. Nominated for Best Documentary Award, the film has an undeniable and unshakable power. It is one of those documentaries where anyone who watches it won’t be the same person by the end as they were when it started.
To Kill a Tiger offers the viewer remarkable access to village life, not just in the modest home where Ranjit’s family make roti on an open fire, but in the fields where they herd goats and collect water from a pump. The camera finds quiet details, like Ranjit’s daughter carefully weaving ribbons into her hair. Women and men insist that the community, not the criminal court, should solve the issue with a forced marriage—to remove the ‘stain on her’. The men become increasingly hostile—to the family, and eventually to the film crew itself.

This featured film sheds new light on a possible cover up spanning two continents. It's not only a tale about the airship's demise, but sinister secrets including ties to the Nazi party. Plus rarely seen footage of crash from inside the ship.